POST-TITLE-HERE

Posted by Author On Month - Day - Year

POST-SUMMARY-HERE

POST-TITLE-HERE

Posted by Author On Month - Day - Year

POST-SUMMARY-HERE

POST-TITLE-HERE

Posted by Author On Month - Day - Year

POST-SUMMARY-HERE

POST-TITLE-HERE

Posted by Author On Month - Day - Year

POST-SUMMARY-HERE

POST-TITLE-HERE

Posted by Author On Month - Day - Year

POST-SUMMARY-HERE

Interview | Sampling Unit

Posted by fashionentrepreneurreport On Wednesday, January 30, 2008 0 comments



The Sampling Unit is a British Manufacturing House started in 2002 to service the client from fabric sourcing, pattern cutting, sample making, grading and eventually the finished product.  Working with many couture houses where the industry experienced has been gained, Andres Theodosiou’s commitment to the full service manufacturing option puts a designer’s mind at ease, no matter the size of the run.
Nolcha: Your slogan on your web page is no job too big or too small. What is the average number of pieces a new designer usually brings to you?

Andres Theodosiou: We may get orders for only one sample garment or as many as fifty sample garments at once. Our new slogan is “one stop shop”, which means that a designer need not go to any other manufacturer to satisfy their needs. So the customer can be assured that the quality of the product will be the best that they can source.

N: With the ability and experience in cutting both urban ready-to-wear to couture, how do you prepare for the work that will go into such a variety of contracts? 
 AT: The process of taking an order will usually involve a meeting with the designer or an assistant where their requirements would be discussed. We would talk about the finishing, the construction and the final look that they are trying to achieve. NM: If a client presents you with only a sketch, how does the Sampling Unit evolve this into a reliable piece of clothing?

AT: Most of our clients tend to come to us with only a sketch, so, as above we ensure that we keep close contact with them to discuss every detail as the piece evolves.

N: With many contracts going out to China for a larger production, how do you stay competitive in pricing?

AT:  We do not compete with China, as the production cost is too high here to match their pricing, so we specialize more in detail and quality. We are usually in constant contact with our customers; this gives them more control over the final product. However, we do produce samples that one can send to be produced in China for our clients. We also produce press and catwalk samples where time is of the essence, we can produce quickly and this is one of our strengths as a company.

N: If the Sampling Unit has created the samples for a line and then the line is picked up for production, what kinds of steps need to be taken to produce the entire project?

AT:  At the time of producing a sample we can determine production costs then.Then the designer will have to book in their production with me, at this time, we will discuss delivery dates and any other specific requirement that they should have. Fabric delivery and any interlining etc.

N:  What advice can you give a designer when searching for the perfect clothing producer? What types of questions should they ask? How do they make an appointment to speak to someone on staff?
 
AT: They should ask who their customers are, what the lead times are and what the costs are.  They should also see the quality of work previously produced. We see people by appointment only.

N: What do you feel make the Sampling Unit unique to the garment industry and where do you see yourselves growing in the business in the future?
AT: The Sampling Unit is unique for many reasons: Firstly, our experience in working at the top end of the fashion industry, with a résumé that includes making couture garments for famous celebrities, such as Sarah Ferguson’s wedding dress and Princess Diana’s famous white off the shoulder honeymoon silk dress. Moreover, we have a hard working professional and dedicated team who have vast knowledge and experience on both delicate and complex fabrics and who always meet production targets and deadlines. 

Competition | FAD Urban Holographic 2009

Posted by fashionentrepreneurreport On Sunday, January 27, 2008 0 comments
FAD, Fashion Awareness Direct are a registered charity committed to helping young designers succeed in their careers working on bridging the gap between study and the industry. The FAD design competition is open to 2nd and 3rd year BA/MA fashion students in the UK. 

Running since 2001, the competition sees fashion industry professionals offer work placements, the event is also covered by press and held at prestigious buildings from the V & A Museum and Shoreditch Town Hall to the Institut Francais. This year the final will take place on the Vauxhall Fashion Scout catwalk during London Fashion Week in February 2009 where the designers will be given the chance to showcase their designs. 


Last year Alicia Stone of Nottingham Trent University scooped the 1st prize with her interpretation of the Chinese Pagoda in Kew Gardens landing herself a work placement at prestigious Spanish brand, Hoss Intropia in Madrid.  

“These young people desire real-life challenges and that is just what the FAD Competition provides” Andy Powell – EDGE 

The 2009 FAD competition design brief literally is out of this world and homes in on the creative minds of the designers; the Urban Holographic theme involves looking at retrofuturism, refraction, mirroring of light and the exploration of planets. The mission as it is called asks for designers to consider space tourism as the new form of travel and therefore they must create chic space host/hostess uniforms; which must include the inner persona (reflecting the planet they’re born under) and the outer persona (reflecting your preferred planets attributes and qualities). The FAD have put up a list of genres that the designers can use to influence their uniforms including music, film, dance, art, science, colour palettes and books.  

In order to compete in the competition colleges/universities must register by 17 October 2008. Students must then provide 2 A3 illustrations (showcasing the front and back of their design) including swatches, a research sketchbook, a written explanation of their design (200 words) and a business plan by 26 November 2008. Prizes focus on working in the industry with all finalists receiving a work placement, 1st prize includes £2000 cash whilst 2nd and 3rd will receive £1000 each.   

For further information on FAD please visit www.fad.org.uk

 - By Nardene Scott