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Make your brand eco-friendly in 10 easy steps

Posted by fashionentrepreneurreport On Tuesday, July 29, 2008 0 comments
Eco-friendly fashion practices are not a trend; it is here to stay. With landfill space set to run out in a record 10 years time, soon governments will start charging green taxes and penalties to wasteful businesses. It is becoming increasingly important for designers and businesses to implement ethical fashion practices. 
 
While it may be easier for new designers and businesses to adopt a new “code of conduct”, there are a several practices that established designers and business owners could adopt now to in order to reduce their impact on the environment. Below, ethical fashion designer Elena Garcia provides 10 of the simplest ways to make your business more ethically conscious: 
 

Reduce your energy and water consumption –Installing installation panels and using energy saving devices can dramatically reduce your energy consumption.
 
Reduce your use of paper - Always recycle and use the back of papers for note taking drawing or even printing. Buy FC certified paper and stationery from an eco suppliers such as Green Stat and be proud of your recycled envelopes and parcels!!!
  
Use eco-friendly inks for your printing – Companies like www.alocalprinter.com uses vegetable inks that have a much lower impact on the environment.
 
Reduce your use of plastic- use recycled paper garment tags attached with string. Re-use plastic bags and garment covers is an easy way to save money and benefit the environment.
  
Off-set your travel and energy use- Take advantage of companies like CoCo2 (http://www.coco2.org) that help you offset your travel and energy consumption
 
Use less cotton- Cotton growth requires an incredible amount of water and should only be grown in rain fed areas. Alternative fibers like hemp, linen, bamboo, nettle and mulberry trees for silk are much better for the environment, as they do not have a harmful affect on the soil. If you want to be as ethical as possible, try to use these fibers alone. However, mixing these fibers with cotton is less harmful than using cotton alone. If you decide to carry on using cotton, encourage suppliers to produce it organically. The price for organically produced cotton and its accessibility will only reduce when enough people demand it!
 
Deal with your textile waste- Many new designers use textile waste in their collections. Collaborate with them and dispose of your waste responsibly. One of my projects www.sewlastseason.com tackles the excess production and waste. Have a look for updates.
  
Enter into fair-trade or similar agreements with your suppliers
  
Buy pesticide free fabrics
  
Take care to find out how your fabric is produced and the processes involved - Ask questions; find out how your fabrics are made and make suggestions. Most designers don’t know anything about the fabric making processes so make an effort to learn about eco-friendly dyes.
  (http://www.elenagarciastudio.com/)

Standing Out from the Crowd: Create a Niche and get Noticed

Posted by fashionentrepreneurreport On Friday, July 25, 2008 0 comments
So you’re designing your own collection and you want to be a world-famous fashion designer. Join the club! With the glamorous image that is attached to the fashion industry, it seems like everyone wants to be a designer. Not only do you have to compete with already established professional designers, but nowadays throw pop singers, celebrities, and TV stars into the mix. And before you even get to that level, you have to get noticed in the sea of aspiring designers, all vying for their chance to shine. 

If you want to make your mark and get noticed in the industry, you have to make sure your designs stand out amongst the swarm of pretty outfits already crowding the runways.  If your vision is just to design pretty clothes, the chances of your work getting noticed are like finding a needle in a haystack! The cliché advice, which you’ve probably heard a million times, is to design for a niche market. But what exactly does that mean?  
  Here’s our take on finding a niche: find a cause, and design for that cause. Choose something that you’re passionate about or pick a theme and design for that theme.  Create a trademark that you will become known for. Betsey Johnson is known for her funky, extreme, one-of-a-kind garments that reflect her quirky personality. Diesel used the daily life of construction workers to build their highly functional, hardware driven signature style. Don’t stop at a specific theme- really make a statement by focusing on a specific item or two. Instead of trying to design it all, choose a particular piece and make it your own. Ralph Lauren did it with neck ties, which eventually developed into his equestrian signature style. Calvin Klein started with coats, and is now a leading name in fashion, with different brands and licenses that span from sportswear, to underwear.  

Designs will receive more attention when they consistently focus around a specific element or concept, and in turn that concept will become your signature. Support environmental preservation, by creating a line of knits from recycled cotton. Or maybe you’re a strong advocate for animal rights- make a statement with faux fur in bright colors. Once your line is well known and established, you can always expand. Whatever you decide to focus your collection on, make sure it’s something you believe in and are passionate about. It shows when your designs come from the heart, therefore your inspiration will be endless.

Once you’ve selected your cause and designed an amazing collection around it, how do you make sure your designs get noticed? Fortunately, modern technology makes promoting yourself a much easier task. There are tons of websites that showcase emerging design talent.  Nolcha, of course, is a prime example. There are also underground designer showcases like www.underground-nyc.com that give beginner designers their own venue space. You bring the designs - they bring in the crowds.

In recent years, there has been a shift in the fashion industry. Consumers have begun searching for more unique, down to earth sources for their fashion needs. New designers are recognized for their individual style and discovered in unconventional places. Developing a unique flair that speaks for your collection will put you on your way to standing out from the crowd.  

-       Kristen 

contact@designersnexus.com This e-mail address is being protected from spambots. You need JavaScript enabled to view it
www.designersnexus.com
www.fashionfrog.com

Corel C-DESIGN Fashion Software

Posted by fashionentrepreneurreport On Wednesday, July 23, 2008 1 comments
Corel and C-Design has partnered to deliver revolutionary software solutions for the fashion industry, serving to reduce the time to market and production costs for Ready-to-Wear. 
 
Having been on the market for only a year now, it is already making the life of designer’s across the world, easier.   Built specifically for the fashion industry, C-DESIGN Fashion enables designers to create their own computer-based models and ready-to-wear collections. Once the apparel has been designed, it can then be altered and transformed as designers experiment with materials and colors.

It provides designers with a single solution to address the entire fashion design process from product design through to in-store merchandising. It is the choice of top European designers including ZARA and PIMKIE who use C-DESIGN Fashion to create high-fashion, ready-to-wear collection product lines in record time.
 
"We recognize that designers in the highly competitive fashion industry are under constant pressure to take their designs from the concept sketch to the retail store more quickly than ever," said Patrick Abbou, CEO at C-DESIGN. "The C-DESIGN Fashion solution is created to meet this need head-on, providing a one-stop software package that streamlines the fashion design process, making fashion houses more efficient and ultimately more profitable."

It offers a database of over 18,000 existing garments, shapes and detailing for women’s, men’s and children’s fashions. The software enables designers and pattern makers to design their garments and accessories by quickly adding fabrics, prints, colors and special effects. It also includes Technical Packs that make it easy to communicate information such as size specifications, labeling and sewing instructions, and measurement boards to suppliers – further simplifying the production process. Once the designs are complete, customers can use the software to visually merchandise their new collections by easily creating graphics to represent the layout of shop windows, in-store displays or even a fashion show. It is now available for $9,500   www.cdesignfashion.com 

 - Naomi Mdudu

Fashion forward winners announced

Posted by fashionentrepreneurreport On Monday, July 14, 2008 0 comments
Britain is well-known for producing some of the best edgy and innovative emerging designers in the industry. Having a good collection is no longer enough to create a successful fashion business. With this in mind, in 2006 the British Fashion Council created a sponsorship programme called Fashion Forward, a branch of their New Gen scheme.  The initiative aims to help support new designers into the industry, giving them the necessary tools to succeed with a dedicated programme of support over two seasons. Previous winners include Giles Deacon, Jonathan Saunders, RichardNicoll, Jens Laugesen and Sinha-Stanic.

This season, Fashion Forward will be partly supported by the London Development Agency (LDA).  Fashion Forward recipients receive cash sponsorship each season to go towards production of a catwalk show on schedule at LFW. They will also receive high level business mentoring from the best in the business in areas such as business planning, marketing, sourcing, production, export and legal.  
 
Winners are selected by industry experts based on the designers’ talent and potential for growth 
Christopher Kane, Erdem and Marios Schwab are being awarded Fashion Forward September 2008, receiving sponsorship for the first-time. Roksanda Ilincic is a recipient for the second time.

NY Fashion Week Day 1

Posted by fashionentrepreneurreport On Monday, July 07, 2008 0 comments

Tents Events and Tomorrow' Talent
11 am 9/06 Charlotte Ronson
Lindsay Lohan front and center channeling Liz Taylor with a chic bun piercing eyes and a cobalt blue dress. Muted washed greys with pops of candy pink and cobalt blue knit, denim jumpers that had a lightness of hand for a young girl who is comfortable in her skin and doesn't have to shout but whisper in your ear ever so seductively. Loved the intricate nude little dresses - Markus Ketty
1 pm 09/06 Abate
Very clean, crisp, slightly sporty, bright yellow periwinkle THE NEW PALM BEACH GIRL. Polished and put together but a bit more fresh and relaxed. Dresses toward the end brought to mind the socialite at the country club trying to be a bit more rebellious with the short hankerchief skirts over plum and pink hose  -Markus Ketty


2 pm 9/06 Andy & Debb
Inspired by making cupcakes with their kids, the collection was a delicious pastel palette but not too fru fru.  Strengths were gorgeous pleated red dress and mint green colours. The number one problem was the hideous shoes that were far too bland and made the beautiful clothes look generic.- Markus Ketty

4 pm 9/06 Soucha Couture
Sometimes a show comes a cross the roster that just makes an editor go "what"?  It was a bad dream in a desert where the cast of Phantom of the Opera came to play if the Phantom was into S&M. Way too many non-sensical embellishments. The designer should have struck with the babydoll shape he sent as his first look. - Lynn Furge

6pm 9/06 Rabia YalcinWe loved the idea of nature feeds fashion. Metier always supports eco-friendly efforts. The notion of sending models down the runway with ribbons wrapped around their ankles in lieu of shoes was beautiful... But the he ripped off Prada sending down a sheath dress with a pop od pale blue underneath. If given the chance to showcase in an international market... Please don't rip off Prada!- Lynn Furge

8 pm 09/06 Rock and Republic
Delivered high voltage skin tight rock star clothing that was executed with utmost precision.  Flawless hair and make-up.  Black, white, and grey colour palette that would make any groupie weak in the knees.  What Versus should have been if they were still around.
-Markus Ketty

8:30- way too late to remember: 09/06Lingerie Miami
Founder of 7Bar Global Renata M. Black partnered up with Cipriani, Rachael Hunter and friends under the idea of microfinance to aid women who earn under one dollar a day.  This event raised money and awareness in preparation for the big celebration in Miami on Feb 7th and stressed the point of teaching women how to earn in a beautifully understated way that only Cipriani knows how to do.
-Lynn Furge

Interview | Julian Bennett

Posted by fashionentrepreneurreport On Monday, July 07, 2008 0 comments
Julian Bennett has presented the British version of Queer Eye For The Straight Guy and his own Jules & Lulu Show, alongside his miniature dachshund Lulu. He is a firm figure in the London fashion scene and is a well acclaimed stylist.
 
Nolcha: Do you think there is a big difference in fashion style between homosexual and heterosexual men?
JB: Of course there is. I think that gay men tend to have the ability to experiment more with clothes than straight men do. Also, straight guys do get a lot of stick from their friends if they wear something too outrageous. It’s a shame but I think that over the past few years it has started to change for straight guys’ especially as there are so many fashion shows that are helping them to understand what to wear.
 
Nolcha: As a stylist, what do you think are the essentials for a women's wardrobe.

JB: Handbags and shoes- a must for every girl’s wardrobe. They go with everything and never go out of fashion!

Nolcha: Who is your favourite designer?

JB: Tom Ford

Nolcha: What inspires you?

JB: I think the reason why I love working in fashion is because I get to see people's attitude change for the better once they realize that dressing up can make you a more confident person and you can have a lot of fun in the process. Seeing people changing is what inspires me.

Nolcha: You were the Queer Eye fashion expert- what are the things we should keep for next season, and the things we should ditch?

JB: Keep anything colourful as colour will always stay in fashion, also a good pair of jeans as they go with everything all year round. Ditch short skirts and dresses above the knee - try and leave more to people’s imagination rather than showing everything off!!

NM: What celebrity would you love to get your hands on?
JB: Julia Roberts

Nolcha: What are the big trends for next season?

JB: Autumn/Winter trends are great this year for women - there are great deep colours coming through in all fashion houses, knitwear is a must have and lots of great denim too.

Nolcha: The average size of British women is a size 14 yet many argue that the styles we see in fashion does not translate to women of this size. Why do you think this is?

JB: I think they do it’s just that a lot of people don’t realise that the fashion trends we see in magazines are available to women with larger figures.

Nolcha: How did you get involved in the industry? What advice would you give to aspiring stylists?

JB: I was fortunate enough to work at Marie Claire magazine and from there I was introduced to the world of TV. I think the best advice I can give to anyone is meet people within the industry as it really does pay to know the right people.

Nolcha: What is the biggest high of your career to date?

JB: Well I have had so many highs as every time I get to work on a show I have such a great time and going to lots of parties and meeting new people is what it’s all about for me.

Nolcha: Many homosexual men criticise the media for reinforcing the stereotype that gay men know a lot about fashion. What is your opinion on it?

JB: Well I think that at the end of the day you are either good at it or not - gay men have the ability to express it better. I am not that bothered as I love doing what I do.

Nolcha: You have already appeared on a successful TV show and are a celebrity stylist, where now for Julian Bennett?

JB: Who can tell - lots more fashion I am sure and more TV presenting. Watch this space............

Interview | Simon Vumbaca

Posted by fashionentrepreneurreport On Monday, July 07, 2008 0 comments
Simon Vumbaca is a well-respected negotiator and has more than 15 years of experience in the legal sector and in negotiation.


With the release of a new book set to be released soon, Vumbaca shares his years of experience with Nolcha explaining the growing importance of negotiation to create success for your business. 

Nolcha: You are a negotiation expert. Could you tell us about what that involves?

SV: You just have to open any paper today to understand how challenging the business and economical environment has become. Finding support for your venture has become even harder. Being an international negotiation expert is making peoples' business vision become real money, a real deal. It's making sure that any opportunity to do business will be fully maximised. It's fantastically rewarding and even more tremendously hard work as you always are confronted with different goals and negotiations strategies!

What I have been doing for over 15 years now, is to negotiate with or on behalf of a person or business who want to achieve and complete a transaction. When businesses come to me, they have an idea of the general deal they want to achieve, but are often missing out on essential points that will end up costing them a lot if not addressed. Just a month or so ago a dog accessories company wanted to expand their business, to take it to a "new high" as they put it. Their idea was to represent luxury pet accessories designers in the UK. We put together a plan and I negotiated on their behalf with several designers in the US and several retailers in the UK. No point in having a new designer if you can't place the product! They now represent 5 new designers and have experienced a significant growth. They also sell to major retailers. They relied on me also to bridge that communication and negotiation with "corporate retailers" of Selfridges and Harrods' size. They already are booked up to Christmas!        

Nolcha: How important is a negotiation expert in business?

SV: Fundamental!  Since ever, making business is entirely based on trading. To trade you need to interact with one (or more) parties. That's precisely what negotiation is all about! Yet, negotiation is rarely taught to new entrepreneurs. There is a major misconception that everybody knows how to negotiate. Think of the last time you had to negotiate. Were you always in control of your negotiation? Did you feel emotionally drained? Did you walk away thinking how much more you could have achieved? Or up to where you could have pushed it? It doesn't matter which business you are in, negotiation will always be at the centre of it. I have been negotiating all sorts of transactions, from the transfer of media and license rights to the tender for nuclear plant, from satellites to dog accessories; I negotiated sponsorship and distribution agreement and partnership agreements in all sorts of industries. The bottom line is always the same: you need to interact and negotiate if you want your business to work. You may as well get it right! That's what I do. I provide that specialist support. The even more fascinating thing is that it is not confined to geography. Thanks to my fluency in 4 languages and my experience, I now increasingly also help to bridge the cultural business gap that could damage a negotiation or a business expansion, for what it matters. I help US/UK businesses to deal with French or Italian ones.

Nolcha: Would a brand or up and coming designer benefit from using a negotiation expert?

SV: Indeed they would. A brand or up and coming designer would actually benefit from it even more, as they will have available the essential negotiation skills to assist them also in their future business. It will also save them time as I understand that for some having to negotiate for days in a stressful business environment is not what being a designer is all about. Finally they will also benefit as using an expert like me will help them to carefully plan the business expansion and avoid the "over-commit/under-deliver" syndrome, which is a common mistake of successful up and coming designers, a mistake that is very costly on the long run. Look around your industry and you will soon see that big designers have always been assisted by hard nose business negotiators. M. Pierre Berger for M. Yves Saint Laurent is one clear example; M. Arnaud for LVMH another one.

Nolcha: How would it help their brand?

SV: Fundamentally by having someone talking the language of the business community. An expert negotiator like me is here also to establish and position the brand to the right level and promote a message aligned with it. When I negotiate I endorse what I negotiate for. Hence I want to say: "Look, I might negotiate for an up and coming designer, but the deal is serious and the commitment here to stay, to build a long term lasting transaction, so let’s talks business now". Also it allows designers to focus on what they know best and relying on an expert to make the points solid concrete wins of the deal. Negotiating is a job on itself. It's time, emotion and energy consuming. Not everybody likes it, but everybody needs it. So if as a brand you are prepared, you are immediately adding to the brand image depth and seriousness. Once a client said that a multimillion dollars negotiation sort out "the boys from the men", though an unfortunate expression, I will have to agree; if your brand can't take a certain level of pressure that comes with big negotiations, your brand will hardly make it to the next level.

Nolcha: What business expertise could you provide fashion industry professionals that they could not find elsewhere or do themselves?

SV: If you want to eat a salad, you go to the restaurant and order one. You don't buy a plot of land, seed it, cultivate it, wait for the right season to arrive and then make your own salad. Don't you? It's about the same. You can't be good at everything. I have been blessed in doing this now forever -really - and professionally for over 15 years. Even when I was a lawyer, I was spending all my time negotiating big deals, which is why I decided to make it my principal business. I negotiated all sorts of agreements for all sorts of economical values and in all sorts of pressurized environments. I have learned the skills and tricks whilst doing it. I also made mistakes from which I learned. Because I am an international negotiation expert, I am now even booked for corporate conferences and negotiations clinic sessions! If a fashion industry professional want to do it him/herself, it's good by me. Chances are, though, that, even if they feel satisfied with the deal, they will make a lot of costly mistakes, not all of which they will immediately see. My clients and track record says that you will not have the costly mistakes using my services. Also because I have already learned my lessons doing them! If you have a negotiation challenge, you need an expert negotiator; the same way that if you have a car problem, you look for a mechanic. 

Nolcha: What advice would you give up and coming designers that would like to take advantage of your services, but do not have the budget?

SV: If a designer has no budget for cloth, but has budget for a plasma TV in the showroom, then I don't think any advice will be helpful. If a designer is serious about business, budget is no limitation. They can always call to see if I can help. I also offer negotiation clinics. This is a service designed to help designers to understand how to negotiate. Finally, my first book will be out soon. I wrote it as the practical book that I would like to have been given 15 years ago. It would have saved me so many mistakes along the way! 

Nolcha: Why do you think business and negotiation expertise is increasingly becoming a necessity in the fashion and creative industries?

SV: I don't think it is something new. Historically the creative industries of the past relied on patrons to survive. Once, a client, who was a TV producer, told me that he had tens of new creative ideas on his desk every week, but only one a month that could be produced. The same is true in the fashion industry. If you don't need the money and can only focus on the creativity of your design, you are a purist and it's fabulous. The reality though, is that if you rely on this to make a living, then your designs must be produced and sold, and that's where the business and negotiation expertise steps in. I firmly believe though that it shouldn't be a contradiction; the way I see it, business and negotiation expertise is just here to make sure that your message is producing the result you wanted and that the designer can make a leaving out of it, so to produce and create even more.      

For more information on Simon Vumbaca and his services visit: http://www.simonvumbaca.com/ 
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