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Interview | Fashion GPS

Posted by fashionentrepreneurreport On Tuesday, September 30, 2008 0 comments



Leading the way for organization and location of samples and the lists of people that request them, Fashion GPS has organized half of the industry’s elite. 




With a system created specifically for the fashion world, it understands the needs of a designer.



Name:  Eddie Mullon  Corporation:  Fashion GPS  Location: 248 35th Street, New York



Nolcha :  Mr. Mullon, can you please tell me a little bit about your background and how why  you decided to create Fashion GPS?

EM:  I was doing a lot of consulting and started working with KCD worldwide.  They approached me with the problem of tracking their samples, and I started with a simple program.  They used it for a year, they traffic a lot of samples, the system needed to be developed larger.  Then Marc Jacobs wanted to use it, we created a web based system, multiple users.  That is where the first version of Fashion GPS evolved. We currently have 23 clients.  The more clients we garnered the more we could understand their business processes and be able to build a better program.



N:  Why is technology so important in a creative industry like fashion?



EM:  While the visual aspect of fashion industry is always growing and keeping innovative with new trends, behind the scenes hasn’t quite caught up with the front end. There is significant room for technology to streamline the day to day management of the fashion industry.  It is a multi-billion dollar industry and technology helps it run as such.

N:  For a new designer that does not have a whole team of people to organize his/her  business, how does the sample inventory part of the service help?

EM:  Fashion GPS takes into account the entire process of sending out samples, following up on them, creating reports, managing requests, reservations and lookbooks. This can literally consume all of one’s time leaving a new designer with little time to focus on other important matters.  We are like a virtual employee.

N:  How is an on-line look book easier for a designer to manage than the physical look book?

EM:  We view online look books differently for larger established designers than we do for young growing designers. For larger designers, online lookbooks are a great supplement to hard copies, allowing people to quickly send over the pictures, request items, and have more control over what they are pushing. For young designers, it allows them an outlet to showcase their work to a broad audience in a technologically advanced cost efficient manner.  The good think about the look book is as soon as the show comes off the catwalk things can be put right into the system.  You can also contact the people that just saw the show via Advanced Fashion GPS and send a mass mailing out to all the attendees.

N:  Is the fashion week invitation and organization a separate system?

EM:  It is a separate system that works standalone or ties in directly with Fashion GPS. Events GPS goes from start to finish for the fashion show from contact management press, retailers to seat selection, show check in, and then the Fashion GPS picks up after the finished show, where you can upload the lookbooks and send the virtual book out to the people that attended the show.

N:  Can an individual designer utilize this part of Fashion GPS, or is it best for PR companies?

EM:  We have more designer clients than we have PR companies at the moment. It really comes down to companies large or small that want to streamline their day to day business.

N:  Will there eventually be a way to track the buyers that attend shows to their buying orders to gauge potential profit?

EM:  This is a natural compliment to Fashion GPS that has emerged in conversation with numerous clients. This is on our radar and I wouldn’t be surprised to see this all linked up in the near future.

N:  As technology evolves so must business… what is in store for the future of Fashion GPS?
EM:  Fashion GPS has earned a strong and reputable name in the fashion and pr industry. As publications becoming increasingly interested in using technology to efficiently manage their sample closets, you will see Fashion GPS emerge as the portal between designer and publication.  In five years time hopefully you will be able to go into a showroom scan the pieces with the blackberry camera.  Shoot what you are the most interested in and then the technology organizes the request 

Paris Fashion Week Day 2

Posted by fashionentrepreneurreport On Saturday, September 27, 2008 0 comments

3 pm Balmain
9/28
We get it -  the 80’s are back.  We saw the color flashing at us in London, now it’s the rhinestones in Paris.  Designer Christophe Decarnin put forth a good effort with a theme not much unlike Studio 54.  This collection is clearly for the party-girls but the exaggerated shoulders on the Sergeant Pepper’s-esque jackets caught our eye.
-Lynn Furge

6 pm Rick Owens

9/28
If you kick out the nun’s habits and the slouch Clydesdale booties, Owen’s produced an interesting graphic show today.  The palette was solely black and grey; bringing us back to the reality of the times after Milan doused us with flowers.  The cut outs were beautifully placed and layered with more slouchy pieces making them have an almost Japanese influence.
-Lynn Furge
7 pm Nina Ricci
9/28
Better get ready to show some leg this spring.  Olivier Theyskens displayed both his artistry and his imagination today with a collection that cascaded down the runway like a waterfall.  Although the dresses were diverse in texture and fabric choices all had the same shape and each one was crafted with such meticulous perfection that the story within the story of every girl’s look clearly became the ethereal Victorian beauty of spring.
-Lynn Furge

9 pm Marlies Dekkers
9/28
“A True Love Story” told in chapters of white, red and black Dekkers’ lingerie collection while consistent to her unique style alluded more to inspiration from Xena the warrior Princess in comparison to her reputation for more seductive designs I associate with love. Or maybe that’s just the story I told myself...  A few pieces inspired by an interpretation of sportive shin guards and the garter belt were all that connected me to the concept of independent women and a possible sexy alternative to leg warmers.  While Dekker remains sexy and empowering to women this true love story just did not capture my heart.- Stephanie Ford 

Paris Fashion Week Day 1

Posted by fashionentrepreneurreport On Friday, September 26, 2008 0 comments

5 pm Gareth Pugh
9/27
Others try but few can achieve the pure conceptual genius that is Gareth Pugh.  The fashion crowd was worried.  Will he do well in Paris?  Will his mind be understood?  What better a city where not only art but beauty and imagination in fashion have been celebrated for centuries.  The collection was white in the front and black in the back, pieces layered on top of each other in plastic coated eel.  Victorian armor reminiscent of Camelot.  Good vs. Evil, Past vs. Future.  Conflict of Art vs. Commerce perhaps?
-Lynn Furge

8 pm Fatima Lopes

9/27
For her 10th anniversary show this year’s collection mainly dominated by a color palette of red, white, black and yellow brilliantly reflected from satin and silk fabrics remained true to Lopes classic use of sexy alluring cuts exploring barely covered breasts, plunging necklines and eye grapping geometric designs.  However, there was an air of sophistication a feeling of regality represented by flowing full length dresses, miniature top hats and flower accented head pieces crowned on each model. Knee length pleated halter dresses accented by squared fringe in checkered patterns were some of the more innovative styles on this catwalk.
-Stephanie Ford

Milan Fashion Week Day 5

Posted by fashionentrepreneurreport On Wednesday, September 24, 2008 0 comments

9:00 am DSquared 
9/25
DSquared was all the rage a couple of seasons ago and then they sort of dropped off the face (at least on an international level).  Now brothers Dean and Dan are back with an obvious 70’s Charlie’s Angels theme from the flowing manes of hair to the metallic toes.  The collection was heavily denim with some goddess gowns thrown in at the end for good measure.  The swimwear was DSquared hot as ever and the sexy safari pieces were not totally necessary, but hot so I guess we’ll keep them.
-Lynn Furge
9:30 am Who is on Next?
9/25
Milan’s answer to Fashion Scout, Fashion East and Academy of Art, winners included a tie for the accessories category with Chrissie Morris showing colorful strappy and bejeweled sandals while Jennifer Portman-Cascioli and Natalie Barbieri of Bionda Castana gave us a classic black style with a bit of heft.  As far as clothing winner Gabriele Colangelo’s Japanese inspired silky feminine simplistic pieces will be easy to retail.
-Lynn Furge

10:30 Les Copains
9/25
This was a debut collection for Albino D’Amato and his flash of femininity in a graphic form went over well.  Still keeping in line with Les Copains signature knits D’Amato added tiered lace ruffles and a neutral color scheme with pops of blue, navy and black which added to the “sophisticated youth” perspective.  Amazing grosgrain belts that went beyond preppy t just plain pretty was the perfect accessory to pull the entire collection together.
-Lynn Furge

12 noon Luisa Beccaria
9/25
Sweet pretty feminine florals and a couple of knock-out gowns.  Like a sampling platter of sherbet with two-toned layers and layers cascading to the floor on beautiful evening pieces.  Since ninety percent of the entire collection was dresses, the few pairs of pants and shorts were what seemed to strike the retail buyers attention.
-Lynn Furge

2 pm Dolce and Gabanna
9/25
I love nothing better than when the “big boys” come out to play.  It puts a smile on my face and the fanfare back in fashion.  Domenico Dolce and Stefano Gabbana put on their bespoke crocodile lace ups and stomped on the financial crisis (well at least for twenty minutes).  The duo set fantasy in motion with a story about a dream reminding us that fashion can still be a spectacle and women can still have something to yearn for… pajamas webbed in-between typical perfect suiting and lavish gowns.  Many thanks to both Dolce and Gabbana for reminding us what it is to “show” in Milan.
-Lynn Furge

4 pm Fendi
9/25
How does Karl do it?  It is almost as if he has two completely different brains when it comes to Fendi and Chanel (well at least he has two different design teams).  Romantic, modern, flattering, technically beyond perfect; each girl was the “belle of the ball” quite literally.  Lagerfeld took a stance today, proving that Fendi’s woman will buy quality craftsmanship no matter the banks.
-Lynn Furge    

Milan Fashion Week Day 4

Posted by fashionentrepreneurreport On Tuesday, September 23, 2008 0 comments

9:00 am Marni
9/24
The Marni girl is quirky and daring.  She has spent seasons shielding her femininity in sac dresses, but this season she is proudly emphasizing her shape.  Her artistic flair has not been lost to mainstream belting and layering.  This collection is still truly artistic and truly Marni – it just has the ability to separate and become that coveted piece in a woman’s closet this spring.  What can we say… major mix and match patterns, fabrics, textures, colors etc.  It’s all Marni.
10:00 am Rebecca Moses for Bilancioni
9/24
Charging ahead with a chic understated glamour, Rebecca Moses unveiled her women’s collection for menswear line Bilancioni.  Because the traditional house has the ability to make their textiles in-house, Moses was able to specifically choose the right amount of luxury.  Any woman would be both proud and comfortable to wear this collection.
-Lynn Furge

12:00 noon Antonia Marras
9/24
The intricate beauty was not forgotten here at Antonia Marras.  The interesting part of the layering technique though was the fact that multitudes of sheer nettings, many paillettes and other embellishments did not add to the weight of the look, but instead gave it a three-dimensionality that could only be described as pure luxury.  There was an ethereal softness to every piece.  This was no “layer a trench over a shift” that is conventionally seen all over New York.
-Lynn Furge

4:00 pm Pollini
9/24
Jonathan Saunders’ first season with Pollini brought in fun flirty silhouettes tiered in bold colors.  Lots of dots and mix and match accents of contrasting colors at waistbands and collars added to the whimsy.  It really is as if the Glasgow architectural take has been warped to fit the Italian lifestyle and frankly with that mix, these frothy pieces will be consumer heaven.
-Lynn Furge

9:00 pm Derercuny
9/24
The only thing that comes to mind is “rockstar goes on a cruise.”  Leather skinny pants in the obvious black – but then buttery pastels as well mixed with gypsy blouses.  Studded and embellished cocktail pieces – and then the entire collection lightened up dramatically when a series of peach patterned chiffon floated down the runway almost like a Bellini come to life.  All was pretty but in reality the only thing that made this collection flow in its entirety were the oversized bow themes running throughout.-Lynn Furge 

Milan Fashion Week Day 1

Posted by fashionentrepreneurreport On Monday, September 22, 2008 0 comments

9:00 am Just Cavalli
9/21
Color was king and 80’s reigned supreme at the Just Cavalli show this afternoon.  Graphic tees, screen printed denim and super bright colors strutted down a sandy runway, but the vibe was much more Valley than beach.  The confusion came when peasant frocks joined the form fitting brights.  I suppose it is just proof that Cavalli likes to have all his bases covered when it comes to his clients preferences.
-Lynn Furge

2 pm Moschino Cheap and Chic

9/21
The technology of photo printing on fabric is certainly not new, however the Technicolor palette mixed with classic Moschino humor brought reference to Eliza Doolittle, straight from the flower market right after about her 3rd lesson with Higgins.  I loved the metallic silks.  Way more luminous and cheery than the counterparts seen last week in London, the final column dress said Spring for certain.
-Lynn Furge

Peicemeal

Posted by fashionentrepreneurreport On Sunday, September 21, 2008 0 comments

Lili black dressThe Art of the Detail is something that has set mass market grab-and-go fashion apart from true fashion labels. 
As stylists and buyers groan on about the failing economy and what will happen to the younger more independent designers, Nolcha has taken the opposite approach.  Now is the time for originality to strike.  Standing out on their own and staying true to their vision is the only way an independent talent will rise above the monetary problems most retailers are facing.  Consumers are looking for that one special piece to supplement their wardrobe.  Pieces with a hand touch and accessories that make a basic look fabulous are the items that will survive.  The Nolcha Creative Team put together some of Fall’s hottest looks that will guarantee the consumer open their pocket book.
Credits: Photography: Lynn Furge; Styling: Anjula Sharma and Shuchi Sharma; Hair: Paul Warren; Make up: Grace Lopez; Model Lili @ Muse NYC; Production Elvin @ fashioncasting1
Independent fashion designs


All the World's Aglow

Posted by fashionentrepreneurreport On Friday, September 19, 2008 0 comments

Model in Akira clothingNew Looks for the New Year.  After looking at show after show, Nolcha has come up with the best way to combine ready-to-wear.  Sleek body hugging seperates paired with opaque tights make an otherwise night-time frock a girl-about -town must. 
Shades of Purple and Blue will bridge the gap from winter to spring and sky high platforms complete an otherwise basic wardrobe.
Shooting with Elite Model Management's hottest new fave Kerri, the Nolcha Creative Team proves that winter does not have to be gray.  Illuminate your wardrobe with a little metallic and a lot of color.
  Credits: Shot on location at Image 23 Studios (www.image-23.com).  Photography: Lynn Furge (www.furgephotography.com); Hair and Make-up: Hilary Fenton, Artists by Timothy Priano; Styling: Melinda Wolrab for Image-23; Vision: Markus Ketty and Lynn Furge for Nolcha.
Elite model in Tory Burch dress








London Fashion Week Day 6

Posted by fashionentrepreneurreport On Friday, September 19, 2008 0 comments

11:15 am Scott Ramsay Kyle
9/19
A new take on tunic dressing for the power dressed these pieces were bold with exaggerated shoulders and metallic embellishments giving way to an armor type feel.  The sand and gold tones used were more Mad Max than Joan of Arc and adding fringe and rope softened the collection a bit.  The open backs and box pleats gave it just the right amount of femininity.  A definite hit for Kyle.
-Lynn Furge
1:15 pm Ashish
9/19
Ashish’s girl started at Sandhurst, hit the casinos in Montenegro and ended up back at Bungalow 8 with souvenirs of shots along the way proudly displayed like the decorations of a General… a.k.a. Ashish created a Fashion Army.  Realistic yet glamorous, willing to work in the trenches just to earn her spot at a table filled with Veuve – this girl hangs with the in crowd.  She has sweatshirts for comfort, sequins for glitz and some beautiful boots for walking.  It is the now obvious pairing of casual and elegant that people like Kate Moss are famous for and the masses try to emulate.
-Lynn Furge

2:45 pm Emma Bell
9/19
Stephen Meisel shot an editorial for Vanity Fair Fashion Rocks where about 20 models dressed as ravers gathered to celebrate cult fashion.  Emma Bell and all her mignons would have fit perfectly in that photo.  From the start with a witty little video of a cross dressing cherub to the vinyl parade of pastels, each piece had a story.  Sitting next to three mature blondes that looked like they would enjoy a tea at the Savoy over a fried egg bikini top – I overheard gasps and giggles with the never ending statement of “that’s amazing” so yes it is true, while one may not don pink vinyl bloomers, it’s still nice to see London recognizing originality and embracing it’s Soho roots.
-Lynn Furge

3:45 Aminika Wilmont
9/19
There is something to be said about designers taking reference from architecture.  It makes both designer and wearer conscious of all pattern shape and form.  When the collection is that conceptual yet looks amazing on the body the vibrancy of a label is introduced.  So went the “Perfect Imperfection” of Marcus Wilmont and Maki Aminaka Lofvander.  Buildings of steel built by men turned into platinum and steel silks that skimmed the female form.  Leather and zipper detailing became the graphic element all the while interweaving a taupe color palette seen in any city in terms of concrete.  The collection was urban rock and roll celebrating the fact that sometimes harmony comes in imperfections.
-Lynn Furge

4:15 Inbar Spectator
9/19
So… Helmut Lang and Gareth Pugh had a lovechild, and her name is Inbar Spectator.  T-back draping and occasional banding was pretty in terms of fitting the female form well.  The voluminous skirts and ridiculous shoulders were pure show… a show that had been seen before.  But with that said the craftsmanship was tight and the introduction of the ice blue metallic leather rocker pant was a nice surprise for gothic spring.

See you in Milan

-Lynn Furge

London Fashion Week Day 5

Posted by fashionentrepreneurreport On Thursday, September 18, 2008 0 comments

1:00 pm Fashion East
9/18
Hosted by Donatella Versace and judged by the likes of Roland Mouret four designers were selected to show competing for a 100,000 pound prize.  “Go By Secret Path” by Eun Jeong Hong was deemed the winner.  Here white goddess garments floated down the runway like angels.  An all white collection is not easy to show and could turn into freakish bridal, but the details of the fringed and layered pieces of fabric were so lovely the dimension and movement of the fabric looked like a sculpture.  Another stand-out was Louise Gray for her primary colours and graphic cut-outs of dots and squares.  Mod Brit is back.
-Lynn Furge
4:00 pm Victim
9/18
Combine the sex appeal of Madonna circa “Like a Virgin” the whimsy of Marie Antoinette and the theater of Divine and you would have Victim’s Spring ’09 collection.  Continuing on with the theme that the English do love their ruffles, each piece was a bouncy lace concoction of tiers and tiers of Victorian patterned fabric put together.  It was as if she had taken all of her grandmother’s frocks to create one huge tea party aesthetic.  Most likely difficult to see on the racks at larger retailers, this is what makes British fashion interesting, as art is still revered and commerce is a second thought.
-Lynn Furge

7:00 pm Westwood Red Label
9/18
Westwood brought her muse to Africa like Livingston’s expeditions.  The hats topped off slouchy pants and draped skirt suits.  Colours of purple and mustard scooted down the runway, but then came her resident plaid and the audience understood, the Westwood girl is still quintessentially British and quintessentially Westwood, sometimes she just likes to go on a little adventure.
-Lynn Furge

Interview | Virgin Money

Posted by fashionentrepreneurreport On Thursday, September 18, 2008 0 comments







A revolution called circle lending has hit the finance industry and at the forefront is Virgin Money.  Students and Small Business owners breaking into the market place are often intimidated by the idea of having to go to a formal lending institution and apply for a loan.
This hesitation comes at a greater percentage when the applicant comes from a creative institution that teaches them to think outside of the box to achieve success.  With a name like Virgin, this lending company breeds the idea of innovation and seeing dreams become reality. Speaking with Asheesh Adram, creator, Nolcha got the scoop on the friendly way to loan money.
Nolcha:  Given the above description what do you feel makes Virgin Money the perfect fit for a fashion designer starting their own line?
Asheesh Adram:  The vast majority of entrepreneurs draw on their own savings, and the financial resources of friends and family, to start their businesses. Private financing allows the entrepreneur to define the terms of the loan, (e.g. the interest rate, payment schedule, grace period) to make sure that the loan suits their unique financing and repayment needs. Especially when you have limited business experience and an unconventional business plan or idea Sometimes friends and family are the only ones who will believe you can succeed.
N:  How do you reward people for being creative and thinking outside of the box when it comes to their own emerging business?
AA:  Creative entrepreneurs reward themselves with affordable and flexible financing when they
1. Identify potential lenders in their own circles and present their idea well enough to secure a friends and family loan at a rate less than credit cards and banks would charge
2. Use features like deferment periods and graduated schedules to create a repayment plan that matches the business’s projected cash flow
N:  Does Virgin money take a percentage of that interest or charge a fee for managing the loan?
AA:  Virgin Money charges a loan set-up fee of $199 for business loans, and an additional $100 to complete a UCC filing on collateral, if required. There is a servicing fee of $9 per payment for the life of the loan, debited from the borrower’s bank account with each payment.
N:  The Student Payback Management program is new for Virgin Money; can you elaborate on the benefits for both parents and students of applying for this program?
AA:  Student Payback is a way for students to repay parents or other relatives helping with education financing. Repayment terms are set by the family, typically to parallel debt that family has incurred to pay education costs. Flexible and creative repayment terms can be used, such as deferral until graduation, and graduated payment schedules. It is often cheaper for parents to borrow to pay education costs, than it is for students to do it themselves. This way the total cost of capital is as low as it can be for the family unit, and the burden is shared with the student, offering a lesson called Credit 101.
N:  You use friendly words like Handshake and Handshake Plus.  How does adding a bit of humor to market your product work in your favor?
AA:  We think that people should be able to talk about money. We also think they should be able to share their money, and expect to get it back. We offer a process that helps people do these things in a way that is very non-bank-like. After all, lending is as much about relationships and dreams, as it is about money and terms. When friends and family help out, the money stays where it belongs, in the family.
N:  Where is the next market to which you envision Virgin Money expanding?
AA:  In addition to managing loans between individuals, Virgin Money is headed down the path of becoming a lender itself. A new student loan product launched this spring will be just the first in a line of products where borrowers only need apply.
N:  With the ever evolving innovation storm that is Virgin, where do you see Virgin Money going in the next five years?
AA:  Virgin Money intends to change the face of money in the financial services industry in the US. Always with a friends and family twist, the company will introduce products and services that get the customer a good deal, while having a little fun along the way. Whatever your fashion dreams, go fund yourself. And give us a call to take care of the dirty work. 

London Fashion Week Day 4

Posted by fashionentrepreneurreport On Wednesday, September 17, 2008 0 comments

9/17 Avsh Alom Gur
11:45 am
Lucy Riccardo got on a boat and crossed the Atlantic for a Mediterranean holiday. Variations of that chair print were so original yet wearable. The red, blue, green and white co lour palette never varied. 50's shirt dresses came one after the other, partnered with jumpsuits, short shorts, and strapless tea lengths that were divine. The inspiration was duly noted.
Lynn Furge





12:30 pm Bernard Chandran

17/9
Geometric Design and really angular shapes touched every piece sent down the runway. Exaggerated hips, razor sharp shoulders and a technique called "kerawang" which was basically cut out shapes that added even more dimension to the garment previewed for Chandran's six fashion week appearances. Giles might have pranced some space invaders on the catwalk but Chandran channelled UFOs. The beautiful pieces remained the simple yellow trench and the crystal detail that was put in just the right place on the long yellow gown.
Lynn Furge

8 pm Penkov
17/9
Simple and clean silhouettes were pretty, but the bloomer short, linen A-line dress, and wide leg trouser were nothing the fashion world hasn't seen before. Jersey pieces in ivory with graphic elements could have been amazing if they were not so scattered and channelled Pucci rather than BCBG.
Lynn Furge

NY Fashion Week Day 6

Posted by fashionentrepreneurreport On Wednesday, September 17, 2008 0 comments

9 am Aurelio Costerella
09/11
Glam, glam, glam… every piece of the collection was lovely from large ruffles to flowing long dresses with elegant low backs
-Eliza Goodman



11 am Willow

09/11
Beautiful Elegant clothes for all times of the day.  Neutral draped and well tailored colours like beige and crème, brilliant orange as well.  Fun enough to interest the young and fashion forward and chic enough to please older markets.  Fantastic Collection with great fabrication that would make a woman look polished in a process as easy as pulling one of these cute dresses over her head.
-Eliza Goodman

1:30 pm Brooks Brothers
09/11
All-American in style and colour and once again muted greys stood out.  Great old-styled wing-tipped shoes in black, white and navy.  Menswear is much more developed than women’s but the idea of the classic prep had it’s female fans covered with the safari and nautical themes that would look great at the Cape or on the sea.
6pm Chris Han
09/11
Well tailored yet relaxed.  The shape of the body line was pretty and as usual the muted color palette served a sensible woman that does not have to be too buttoned up for work or play.
-Lynn Furge

7 pm Custo Barcelona
09/11
Custo fans got to see what he does best.  Energy, colour, and texture.  Inspired by the sea, brilliant turquoise and green opened the show for both men and women, it was when he brought in his rich fuchsia and lavenders that things really got interesting.  Would the average person wear all of these wacky combinations together?  Probably not.  However no one does a rock star pant better, the maillots were divine and any bold man should be proud to wear one of the jackets with a great slim fit pant..  Designers who are known for their patterns (and you know who you are) wish they could compile such a kaleidoscope in one simple kicky dress, and yes, if you combine the cocoon coat with a legging or a jean, people will double-take… in a good way
-Lynn Furge 
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