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Interview | Fashion GPS

Posted by fashionentrepreneurreport On Tuesday, September 30, 2008 0 comments



Leading the way for organization and location of samples and the lists of people that request them, Fashion GPS has organized half of the industry’s elite. 




With a system created specifically for the fashion world, it understands the needs of a designer.



Name:  Eddie Mullon  Corporation:  Fashion GPS  Location: 248 35th Street, New York



Nolcha :  Mr. Mullon, can you please tell me a little bit about your background and how why  you decided to create Fashion GPS?

EM:  I was doing a lot of consulting and started working with KCD worldwide.  They approached me with the problem of tracking their samples, and I started with a simple program.  They used it for a year, they traffic a lot of samples, the system needed to be developed larger.  Then Marc Jacobs wanted to use it, we created a web based system, multiple users.  That is where the first version of Fashion GPS evolved. We currently have 23 clients.  The more clients we garnered the more we could understand their business processes and be able to build a better program.



N:  Why is technology so important in a creative industry like fashion?



EM:  While the visual aspect of fashion industry is always growing and keeping innovative with new trends, behind the scenes hasn’t quite caught up with the front end. There is significant room for technology to streamline the day to day management of the fashion industry.  It is a multi-billion dollar industry and technology helps it run as such.

N:  For a new designer that does not have a whole team of people to organize his/her  business, how does the sample inventory part of the service help?

EM:  Fashion GPS takes into account the entire process of sending out samples, following up on them, creating reports, managing requests, reservations and lookbooks. This can literally consume all of one’s time leaving a new designer with little time to focus on other important matters.  We are like a virtual employee.

N:  How is an on-line look book easier for a designer to manage than the physical look book?

EM:  We view online look books differently for larger established designers than we do for young growing designers. For larger designers, online lookbooks are a great supplement to hard copies, allowing people to quickly send over the pictures, request items, and have more control over what they are pushing. For young designers, it allows them an outlet to showcase their work to a broad audience in a technologically advanced cost efficient manner.  The good think about the look book is as soon as the show comes off the catwalk things can be put right into the system.  You can also contact the people that just saw the show via Advanced Fashion GPS and send a mass mailing out to all the attendees.

N:  Is the fashion week invitation and organization a separate system?

EM:  It is a separate system that works standalone or ties in directly with Fashion GPS. Events GPS goes from start to finish for the fashion show from contact management press, retailers to seat selection, show check in, and then the Fashion GPS picks up after the finished show, where you can upload the lookbooks and send the virtual book out to the people that attended the show.

N:  Can an individual designer utilize this part of Fashion GPS, or is it best for PR companies?

EM:  We have more designer clients than we have PR companies at the moment. It really comes down to companies large or small that want to streamline their day to day business.

N:  Will there eventually be a way to track the buyers that attend shows to their buying orders to gauge potential profit?

EM:  This is a natural compliment to Fashion GPS that has emerged in conversation with numerous clients. This is on our radar and I wouldn’t be surprised to see this all linked up in the near future.

N:  As technology evolves so must business… what is in store for the future of Fashion GPS?
EM:  Fashion GPS has earned a strong and reputable name in the fashion and pr industry. As publications becoming increasingly interested in using technology to efficiently manage their sample closets, you will see Fashion GPS emerge as the portal between designer and publication.  In five years time hopefully you will be able to go into a showroom scan the pieces with the blackberry camera.  Shoot what you are the most interested in and then the technology organizes the request 

Paris Fashion Week Day 2

Posted by fashionentrepreneurreport On Saturday, September 27, 2008 0 comments

3 pm Balmain
9/28
We get it -  the 80’s are back.  We saw the color flashing at us in London, now it’s the rhinestones in Paris.  Designer Christophe Decarnin put forth a good effort with a theme not much unlike Studio 54.  This collection is clearly for the party-girls but the exaggerated shoulders on the Sergeant Pepper’s-esque jackets caught our eye.
-Lynn Furge

6 pm Rick Owens

9/28
If you kick out the nun’s habits and the slouch Clydesdale booties, Owen’s produced an interesting graphic show today.  The palette was solely black and grey; bringing us back to the reality of the times after Milan doused us with flowers.  The cut outs were beautifully placed and layered with more slouchy pieces making them have an almost Japanese influence.
-Lynn Furge
7 pm Nina Ricci
9/28
Better get ready to show some leg this spring.  Olivier Theyskens displayed both his artistry and his imagination today with a collection that cascaded down the runway like a waterfall.  Although the dresses were diverse in texture and fabric choices all had the same shape and each one was crafted with such meticulous perfection that the story within the story of every girl’s look clearly became the ethereal Victorian beauty of spring.
-Lynn Furge

9 pm Marlies Dekkers
9/28
“A True Love Story” told in chapters of white, red and black Dekkers’ lingerie collection while consistent to her unique style alluded more to inspiration from Xena the warrior Princess in comparison to her reputation for more seductive designs I associate with love. Or maybe that’s just the story I told myself...  A few pieces inspired by an interpretation of sportive shin guards and the garter belt were all that connected me to the concept of independent women and a possible sexy alternative to leg warmers.  While Dekker remains sexy and empowering to women this true love story just did not capture my heart.- Stephanie Ford 

Paris Fashion Week Day 1

Posted by fashionentrepreneurreport On Friday, September 26, 2008 0 comments

5 pm Gareth Pugh
9/27
Others try but few can achieve the pure conceptual genius that is Gareth Pugh.  The fashion crowd was worried.  Will he do well in Paris?  Will his mind be understood?  What better a city where not only art but beauty and imagination in fashion have been celebrated for centuries.  The collection was white in the front and black in the back, pieces layered on top of each other in plastic coated eel.  Victorian armor reminiscent of Camelot.  Good vs. Evil, Past vs. Future.  Conflict of Art vs. Commerce perhaps?
-Lynn Furge

8 pm Fatima Lopes

9/27
For her 10th anniversary show this year’s collection mainly dominated by a color palette of red, white, black and yellow brilliantly reflected from satin and silk fabrics remained true to Lopes classic use of sexy alluring cuts exploring barely covered breasts, plunging necklines and eye grapping geometric designs.  However, there was an air of sophistication a feeling of regality represented by flowing full length dresses, miniature top hats and flower accented head pieces crowned on each model. Knee length pleated halter dresses accented by squared fringe in checkered patterns were some of the more innovative styles on this catwalk.
-Stephanie Ford

Milan Fashion Week Day 5

Posted by fashionentrepreneurreport On Wednesday, September 24, 2008 0 comments

9:00 am DSquared 
9/25
DSquared was all the rage a couple of seasons ago and then they sort of dropped off the face (at least on an international level).  Now brothers Dean and Dan are back with an obvious 70’s Charlie’s Angels theme from the flowing manes of hair to the metallic toes.  The collection was heavily denim with some goddess gowns thrown in at the end for good measure.  The swimwear was DSquared hot as ever and the sexy safari pieces were not totally necessary, but hot so I guess we’ll keep them.
-Lynn Furge
9:30 am Who is on Next?
9/25
Milan’s answer to Fashion Scout, Fashion East and Academy of Art, winners included a tie for the accessories category with Chrissie Morris showing colorful strappy and bejeweled sandals while Jennifer Portman-Cascioli and Natalie Barbieri of Bionda Castana gave us a classic black style with a bit of heft.  As far as clothing winner Gabriele Colangelo’s Japanese inspired silky feminine simplistic pieces will be easy to retail.
-Lynn Furge

10:30 Les Copains
9/25
This was a debut collection for Albino D’Amato and his flash of femininity in a graphic form went over well.  Still keeping in line with Les Copains signature knits D’Amato added tiered lace ruffles and a neutral color scheme with pops of blue, navy and black which added to the “sophisticated youth” perspective.  Amazing grosgrain belts that went beyond preppy t just plain pretty was the perfect accessory to pull the entire collection together.
-Lynn Furge

12 noon Luisa Beccaria
9/25
Sweet pretty feminine florals and a couple of knock-out gowns.  Like a sampling platter of sherbet with two-toned layers and layers cascading to the floor on beautiful evening pieces.  Since ninety percent of the entire collection was dresses, the few pairs of pants and shorts were what seemed to strike the retail buyers attention.
-Lynn Furge

2 pm Dolce and Gabanna
9/25
I love nothing better than when the “big boys” come out to play.  It puts a smile on my face and the fanfare back in fashion.  Domenico Dolce and Stefano Gabbana put on their bespoke crocodile lace ups and stomped on the financial crisis (well at least for twenty minutes).  The duo set fantasy in motion with a story about a dream reminding us that fashion can still be a spectacle and women can still have something to yearn for… pajamas webbed in-between typical perfect suiting and lavish gowns.  Many thanks to both Dolce and Gabbana for reminding us what it is to “show” in Milan.
-Lynn Furge

4 pm Fendi
9/25
How does Karl do it?  It is almost as if he has two completely different brains when it comes to Fendi and Chanel (well at least he has two different design teams).  Romantic, modern, flattering, technically beyond perfect; each girl was the “belle of the ball” quite literally.  Lagerfeld took a stance today, proving that Fendi’s woman will buy quality craftsmanship no matter the banks.
-Lynn Furge    

Milan Fashion Week Day 4

Posted by fashionentrepreneurreport On Tuesday, September 23, 2008 0 comments

9:00 am Marni
9/24
The Marni girl is quirky and daring.  She has spent seasons shielding her femininity in sac dresses, but this season she is proudly emphasizing her shape.  Her artistic flair has not been lost to mainstream belting and layering.  This collection is still truly artistic and truly Marni – it just has the ability to separate and become that coveted piece in a woman’s closet this spring.  What can we say… major mix and match patterns, fabrics, textures, colors etc.  It’s all Marni.
10:00 am Rebecca Moses for Bilancioni
9/24
Charging ahead with a chic understated glamour, Rebecca Moses unveiled her women’s collection for menswear line Bilancioni.  Because the traditional house has the ability to make their textiles in-house, Moses was able to specifically choose the right amount of luxury.  Any woman would be both proud and comfortable to wear this collection.
-Lynn Furge

12:00 noon Antonia Marras
9/24
The intricate beauty was not forgotten here at Antonia Marras.  The interesting part of the layering technique though was the fact that multitudes of sheer nettings, many paillettes and other embellishments did not add to the weight of the look, but instead gave it a three-dimensionality that could only be described as pure luxury.  There was an ethereal softness to every piece.  This was no “layer a trench over a shift” that is conventionally seen all over New York.
-Lynn Furge

4:00 pm Pollini
9/24
Jonathan Saunders’ first season with Pollini brought in fun flirty silhouettes tiered in bold colors.  Lots of dots and mix and match accents of contrasting colors at waistbands and collars added to the whimsy.  It really is as if the Glasgow architectural take has been warped to fit the Italian lifestyle and frankly with that mix, these frothy pieces will be consumer heaven.
-Lynn Furge

9:00 pm Derercuny
9/24
The only thing that comes to mind is “rockstar goes on a cruise.”  Leather skinny pants in the obvious black – but then buttery pastels as well mixed with gypsy blouses.  Studded and embellished cocktail pieces – and then the entire collection lightened up dramatically when a series of peach patterned chiffon floated down the runway almost like a Bellini come to life.  All was pretty but in reality the only thing that made this collection flow in its entirety were the oversized bow themes running throughout.-Lynn Furge 

Milan Fashion Week Day 1

Posted by fashionentrepreneurreport On Monday, September 22, 2008 0 comments

9:00 am Just Cavalli
9/21
Color was king and 80’s reigned supreme at the Just Cavalli show this afternoon.  Graphic tees, screen printed denim and super bright colors strutted down a sandy runway, but the vibe was much more Valley than beach.  The confusion came when peasant frocks joined the form fitting brights.  I suppose it is just proof that Cavalli likes to have all his bases covered when it comes to his clients preferences.
-Lynn Furge

2 pm Moschino Cheap and Chic

9/21
The technology of photo printing on fabric is certainly not new, however the Technicolor palette mixed with classic Moschino humor brought reference to Eliza Doolittle, straight from the flower market right after about her 3rd lesson with Higgins.  I loved the metallic silks.  Way more luminous and cheery than the counterparts seen last week in London, the final column dress said Spring for certain.
-Lynn Furge