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Calling all Chicago Fashion Designers and Students!

Posted by fashionentrepreneurreport On Wednesday, September 30, 2009 0 comments

Macy's Distinction in Design CompetitionMacy's 9th Annual Distinction in Design Competition

Show your talent and business aspirations at the iconic Macy’s State Street, October 14, 7th floor Archives, 10AM to 2PM
All aspiring designers from the greater Chicago area — from novice to established — are invited to this annual competition to present their sketches and/or samples to Macy’s local buyers, trend managers and merchants at Macy’s on State Street. This is an opportunity for local designers to interact with Macy’s buyers and receive direct, helpful feedback and direction. At the end of the day, one designer will be awarded Best of Show and receive a $1000 cash prize.
 

Introducing Fashion Designer: Untitled 11:11

Posted by fashionentrepreneurreport On Wednesday, September 30, 2009 0 comments
David Peck and Laurel Anderson make up the design duo of Untitled 11:11. Having met at Parsons in Paris, the started Mastering textiles at a young age and with a mix of European High End ready-to-wear and American sensibilities they are producing a line made of sustainable, fair trade and eco-friendly fabrics.  Lynn Furge spoke with the duo just before Mercedes Benz Fashion Week New York to see where they are heading.

Lynn Furge:  You are both friends from University… how did you come up with the idea to start Untitled 11:11?
David Peck: It sort of came about naturally. We had worked together in Paris after I graduated. Laurel moved back to the States before I did and I would come stay with her when I was interviewing for jobs in New York. I was frustrated with the types of jobs that were available to me after coming from such a creative and responsible position in Paris. I have always known that I was going to start my own line, but the thought of doing it alone was a little intimidating. The fact that I knew I clicked with Laurel and could trust her in terms of both her creativity and work ethic made starting Untitled 11:11 together a logical choice.
Laurel Anderson:  I agree that it did come very naturally.  I always seem to pick the hard way to do something.  I suppose I want to really prove to myself I can, and if you are going to go, go all out.  So if I was going to design, I was going to do it for myself.  With that mentality, starting our own line allowed us to work how we wanted and do what we wanted.

LF:  With combined efforts as a design team where do you share roles, where do you do your own thing and how do you balance the partnership?
DP:  We are very different and similar at the same time. What really unites us is a passion for making clothes that are beautifully constructed—even if we approach the concept of design from different viewpoints. We both like to solve puzzles and pattern making and garment construction is just that. Each season has been a little different in terms of how we design the collection. We try to design the collection in a way that reflects our inspiration. This season our inspiration was the golden ratio and geometry, so there was a lot of cutting up of the pattern pieces. Last season (Fall ‘09) we were very much inspired by couture in the 50’s, so it was very natural for us to do a lot of experimentation with draping. No matter who comes up with the start of an idea for a particular garment, the other person always acts as an editor of sorts or a springboard for new ideas.
LA:  We do indeed work very differently, and most of the time we are able to work past these differences.  The filtering process is a very important step in the design process, as our aesthetics can be very different.  For example, I always lean towards a more muted palate, black, gray, blue, ivory… and David likes LOTS of color.  Its in that balance that we create the collection.

LF:  Your collection seems like something that Katherine Hepburn would wear today if she were a current star, please tell me about the design aesthetic?
DP & LA:  Our aim is to create clothing that is timeless, but relevant to today. The Untitled 11:11 customer is looking for practical luxury. Katherine Hepburn was very much of her era, but yet at the cutting edge at that same time. Our collections play with an ease of dressing that hopefully transcends age or time period. We hope women see our clothes as aspirational, but accessible at the same time. If we have achieved that balance then we have accomplished our goals.

LF:  Untitled 11:11 works hard to maintain an eco-friendly practice, what types of fabrics and dyes, where do you manufacture?
DP & LA:  Something that has become increasingly alarming to us is that lack of social responsibility in the garment industry.  So little thought is often given to how a product is produced. By aiming to be socially conscious with each decision that we make we inadvertently make clothes that are also eco-friendly. We use many fair trade fabrics that are custom hand woven for us. The idea of fair trade is to give the workers who produce the fabric, from farmers to weavers, an equitable wage for their work. Our hand-woven fabrics use about 28% of the energy it takes to make machine woven fabrics.

LF:  The blog is lovely and really stands to the testament of the attitude of the brand with Zip Cars and Power Saves on the Computer, tell me about your muse and the Untitled 11:11 lifestyle?
DP: We started the blog with the company to help keep our friends and family update with our progress. As the company has grown, we have had less time to blog, but we have transitioned into using Twitter and Facebook as platforms of communication. The Untitled 11:11 lifestyle is one of transparency. By sharing with our customers the ways that we have found reduce waste and lead more efficient lives, we are doing a small part in helping to educate people. We don’t know how to do everything right, but we do try to make even the small decisions meaningful. In the end it’s the small steps that we take that will help us take giant leaps forward in terms of creating a product that is completely sustainable.
LA:  It is David who has the real passion for Twittering, Facebook, blogging, etc…  I’m a little clueless when it come all that, but he works hard to try to update them regularly and hopefully, if we can share our little tricks and encourage people to make the same decision we have, then we are moving in the right direction.

LF:  Where do you see the label heading in the future?
DP & LA: We are both passionate about is textiles. We would eventually love to develop a line of textiles for the home. In the meantime, we are actively developing partnerships with other companies for accessory development. Our focus in our first few seasons was intentionally small as we tried to perfect our vision and voice. As those elements are becoming a natural part of our design vocabulary, it’s easier for us to see how that can translated into a broader vision. For instance, this season we kept the core of our collection true to our roots with our cocktail dresses, but we also worked really hard a creating a line of separates that related to those dresses. You should see the collection gradually expanding its scope—especially over the next few seasons. We’re very excited to be able to offer a collection that can be integrated into each moment of a woman’s life.

 
 
 
 
 

Milan Fashion Week Spring 2010: Aquilano e Rimondi

Posted by fashionentrepreneurreport On Monday, September 28, 2009 0 comments



Aquilano e Rimondi Spring 2010Opulent and verging couture Aquilano e Rimondi produced an exquisite collection that should remind people what Milan Fashion Weekis all about. 
Not to say that they forgot about target trends like sheer panels and metallic, they just did it with such gilded fanfare that customers searched their occasions looking for occasions to wear each piece.  Jewel tones were the most prevalent, and textured beaded metallics followed.  Ruffles were found in every size gathered into bodices and tucked under hems.
-Lynn Furge

Milan Fashion Week Spring 2010: Etro

Posted by fashionentrepreneurreport On Monday, September 28, 2009 0 comments



Etro Spring 2010Romance was born again at Etro.  This Spring 2010 collection continued on the floral soft femininity that has showcased throughout Milan Fashion Week
Another apparent theme was the Seventies Boho movement which turned out flowy peasant dresses and leisure suit-type trousers.  The mix and match floral check combos added a touch of Holly Hobby whimsy and the rope-tie kimono belts were the perfect touch.
-Lynn Furge

Milan Fashion Week Spring 2010: Marni

Posted by fashionentrepreneurreport On Monday, September 28, 2009 0 comments

Marni Spring 2010Milanese designers spoke of pirates as a theme but Consuelo Castiglioni and her Marni label were the only ones where the vision became a reality. 
With saucy headscarves and stripped leggings the dusty layered pieces look like they have been weathered with the salty air of the ocean, but nothing was to costumy here for Spring 2010.  I loved when the presentation started to layer neutral separates such as walking shorts and slouchy ruffled jackets with textured graphic tees.  The socks and slides were a perfect touch.
-Lynn Furge

Nolcha Fashion Week: New York SS2010 Rock Hard Atelier, Afanador, Quiet Riot

Posted by fashionentrepreneurreport On Monday, September 28, 2009 0 comments

Nolcha Fashion Week: New York SS 2010 St Vincents & Grenadines Fashion

Posted by fashionentrepreneurreport On Monday, September 28, 2009 0 comments

Milan Fashion Week Spring 2010: Francesco Scognamiglio

Posted by fashionentrepreneurreport On Sunday, September 27, 2009 0 comments



Francesco Scognamiglio Spring 2010Every once in a while a talent that can dress reality and celebrity comes to the main stage, as was Francesco Scognamiglio’s collection for Spring 2010 at Milan Fashion Week

Stars adorned many of the items (which was ironic since Hollywoods A-listers would be the select few that could fit into the micro-minis and barely there briefs).  When the show turned two gowns exquisite draping was accompanied by razor sharp shoulders and full leg slits. Coming soon to a red carpet, or Beyonce video soon…
-Lynn Furge
 

Milan Fashion Week Spring 2010: Emilio Pucci

Posted by fashionentrepreneurreport On Sunday, September 27, 2009 0 comments

Emilio Pucci Spring 2010Peter Dundas was a flash of trends in his Spring 2010 collection for Emilio Pucci but that is not to say he was “trendy”. 
Like a finely tuned athlete hitting his mark he entertained the audience with metallic micro-minis, flowing caftans, 70’s bohemian trousers paired with hobos and serpentine cobalt patterns that made us ache for a Aegean.  Dundas is clearly in tune with the socialite’s lifestyles which is why he is able to dress them so perfectly.
-Lynn Furge

Milan Fashion Week Spring 2010: Iceberg

Posted by fashionentrepreneurreport On Sunday, September 27, 2009 0 comments



Iceberg Spring 2010A crazy theme revolving around Mickey Mouse (we assume, ‘cause there was no red polka dotted bow) Iceberg’s Spring 2010 collection got off to a weird start which continued with a camouflage jungle print moment. 
Whether the course veered, the shapes of the clothing was pretty, the two pink pieces were divine and designer Paolo Gerani should have stuck with his peek-a-boo knitted movement that he began in the beginning.
-
Lynn Furge

Milan Fashion Week Spring 2010: Bottega Veneta

Posted by fashionentrepreneurreport On Sunday, September 27, 2009 0 comments



Bottega Veneta Spring 2010Tomas Maier’s clothes speak for themselves, and he dresses his clients way beyond Milan Fashion Week
His customer dresses light for day, concentrating on the architecture of the clothes, hence the simple ivory collection heavy in one shoulder sheaths and a couple of easy short combos.  Maier’s woman also steps out for evening and that is where the show-stopping gowns in jewel tones (ruby, amethyst and onyx) completed the look.  The entire Spring 2010 presentation was sprinkled with little tea dresses for the lady who lunches, full skirt and all, and the buttery accessories that makes people purr when they say Bottega Veneta.
-Lynn Furge

Milan Fashion Week Spring 2010: Jil Sander

Posted by fashionentrepreneurreport On Saturday, September 26, 2009 0 comments



Jil Sander Spring 2010Jil Sander’s Raf Simons has become a name to mention when talking about textiles and technique in fashion.  brought out a renewed sense of detail in the fabric of the collection.  Burlap looking jackets, dresses looking like layers were peeling away, all giving new meaning to the word “deconstruction”.  While this sounds impossible for the real woman to wear, buyers should not be alarmed for the silhouettes were made to layer and will walk perfectly down any international city.
-Lynn Furge
Spring 2010

Milan Fashion Week Spring 2010: Gabriele Colangelo

Posted by fashionentrepreneurreport On Saturday, September 26, 2009 0 comments

Gabriele Colangelo Spring 2010To find a collection that flows throughout and sets the mood for the modern women in all facets of daily life is hard.  Often themes turn into gimmicks, but not with the case of Gabriele Colangelo’s Spring 2010 collection.
Day dresses, walking shorts and metallic leggings gave way to one shoulder minis, evening trouser suits and beautifully draped cocktail dresses.  This is how real women dress and buyers show agree and stock their sales floors while they can.
-Lynn Furge


Milan Fashion Week Spring 2010

Posted by fashionentrepreneurreport On Saturday, September 26, 2009 0 comments



Alberta Ferretti Spring 2010It is always such a luxury to see a designer use all her creative energy in both her secondary line and her major label.  Thus was the case today with Alberta Ferretti
After a beachy casual happy artistic Philosophy collection in NYC, Ferretti took to Milan Fashion Week with her namesake show for Spring 2010.  Sheer airy layers, bits of embroidery and appliqué, pinafores and latticework the girl got off the beach and took to the garden.  The palette was nude grey and taupe with small elements of yellow.  Each piece was just as beautiful in the back as it was in the front centering on criss cross detailing and defining the layers of each look.
-Lynn Furge


Milan Fashion Week Spring 2010: Piazza Sempione

Posted by fashionentrepreneurreport On Saturday, September 26, 2009 0 comments

Piazza Sempione Spring 2010With her debut collection for the Piazza Sempione Label, Paola Toscano turned out sleek cool ready-to-wear for the modern woman. 
Dresses had unique patterns in sunfaded pastels, the pants were fitted and in stunning silk organza.  For a fashion house that is known for their original crafted textiles made inhouse, Toscano added more of a fashion element to keep current with the times.
-Lynn Furge

Milan Fashion Week Spring 2010: Ballantyne

Posted by fashionentrepreneurreport On Saturday, September 26, 2009 0 comments

Ballantyne Spring 2010Dawidh Di Firmo’s Ballantyne collection for Spring 2010 was a welcome day at the Beach.
Di Firmo referenced Miami, with citrus tones going from sunny yellow to pink grapefruit, but the capris and bloomershorts paired with proper plaids read Palm Beach in the late 1940’s
-Lynn Furge

Milan Fashion Week Spring 2010: Krizia

Posted by fashionentrepreneurreport On Friday, September 25, 2009 0 comments



Krizia-Spring-2010Mariuccia Mandelli continued the theme of happy feel good feminine clothing with her Spring 2010 collection for Krizia
The biggest part note was the differentials in skirting from skinny minis, to bubbleskirts. Tiered, ruched, sequined… you name it, it was on the runway, as were splendid little shorts and the necessary special occasion gown.
-Lynn Furge


Milan Fashion Week Spring 2010: Blugirl

Posted by fashionentrepreneurreport On Friday, September 25, 2009 0 comments



Blugirl-Spring-2010Anna Molinari’ Bluglirl label read like a Pantone catalogue at Milan Fashionweek
Starting out in neutral from beige to orange, to green, to pink to blue etc.  Buyers and consumers alike have to be pleased with this collection for Spring 2010.  Each piece saleable but fresh, the stand-out themes were ruffled silk blouses, comfortable trousers, cute girly dresses and patterns that women would not be afraid to wear.
-Lynn Furge

Milan Fashion Week Spring 2010: Les Copains

Posted by fashionentrepreneurreport On Friday, September 25, 2009 0 comments

Les-Copains-Spring-2010Perforated knitwear, beautiful draping and a palette heavy in bisque and black, Les Copains unveiled a collection strong on modern femininity for Spring 2010. 
For every flouncy skirt came a sheer sequined sheath.  The pants were either legging-type skinny knit pieces or easy relaxed trousers with lots of draping at the hip.  A beautiful opening for Milan Fashion Week, these contrasts were a welcome necessity to the mono-themed shows in London.
-Lynn Furge

The On-Shore Advantage

Posted by fashionentrepreneurreport On Thursday, September 24, 2009 0 comments



manufacturing_plant
Prices in terms of manufacturing are so varied that a designer new to the entire production process could make the wrong choice which in turn could delay delivery or even bankrupt a label before its first run is finished. 
Turn around time is becoming more and more important as retailers are buying closer to delivery dates and asking for more immediates (four week delivery). Unfortunately, many offshore contractors don't mention their minimums or will avoid the topic until one has gone through all of the steps of making prototypes and samples. The strategy is effective. Even if the offshore contractor hasn't charged anything for prototyping and sample making (a designer most likely have to pay shipping though), the designer is less likely to switch courses mid-stream and go with the higher production run even if they are not certain you can sell it.  
This puts a young business at financial risk usually because the label has promised to deliver by a given date and doesn’t have time to start all over again with someone else. Whichever contractor is picked, get firm minimums at the outset. Get it in writing.
C & A Apparel Service in Santa Ana California has noticed a change in the expectations of designer entrepreneurs and this has created unnecessary conflicts. Some designers have priced packages from offshore contractors of which certain services have been rolled into the package pricing, so designers aren't aware that these services aren't free.
With onshore packages, these costs are itemized separately which can be advantageous if you want to use another company for given services; say pattern making. For example, a basic knit top in Asia might cost a $5.50 flat rate. In the US, the costs of services for each step in the process are transparent with patterns, grading, marking, cutting, sewing and finishing (to include packaging) listed clearly. To arrive at package pricing, a bit of addition is required. While C & A Apparel Service does not claim they can beat the prices of Asian contractors overseas, their minimums and shipping charges are much lower and the turn around time is much faster.  
C & A says the companies they have worked with that are most successful aren't the ones with the most money. They feel the best companies are ones with budgets, those who itemize costing for every step in the process. Being that apparel is still a relatively low cost business to get into (much less expensive than other classes of manufacturing), it seems that many people have the money to at least launch a line.
The problem with people who have more money than average is that they want to off load responsibility too, meaning they expect the contractor to do everything for them (from sourcing to production management) with the designer focusing on being a "marketing machine". According to C & A this will never work in the long term. Worse is when a designer expects everything to happen -from sourcing to delivery- inside of two months.  
With respect to product development for new designers, they say their expectations are often too unrealistic considering their position in the market -often zero. Designers will shoot for the best fabrics, the most expensive ones and that they are too particular at the outset. C & A Services and many other manufacturers feel designers spend too much for fabric when the appeal of their line and their opportunities are compared.   
Of course quality is of the utmost importance, should not be used to deter the line because the cost is so great.  It is better to use high quality and less pieces for a first collection, therefore the adjustments to the run will be smaller and the delivery time will be quicker.  Line development is an evolutionary process.
Nobody starts out being the best from the outset. Sure, you have an idea of where you want to be but you grow in that direction. No baby is born as a fully formed independent adult. 
 – Kathleen Fasanella

London Fashion Week Spring 2010: Osman

Posted by fashionentrepreneurreport On Tuesday, September 22, 2009 0 comments



osman-spring-2010A pure canvas of white with simple metallic accents luminated the stage at Osman’s Spring 2010 Collection.
Osman Yousefzada created a wardrobe that had world traveler written all over it from Japanese kimonos to classic American sportswear like the shirt dress or this season’s popular item, the t-shirt dress.
-Lynn Furge


London Fashion Week Spring 2010: Fashion East

Posted by fashionentrepreneurreport On Tuesday, September 22, 2009 0 comments



Fashion-East-Spring-2010Nolcha loves new emerging and independent designers and with Fashion East’s presentation during London Fashion Week, talents were on the rise.
Michael Van Der Ham used graphic asymmetrical lines attached all types of different fabrics from Lurex to florals and the result was divine deconstructed collage couture.
The winner of the evening Holly Fulton embellished dresses in Art Deco fanfair.  Bright colors, strong lines and matching clutches.  Outstanding detail was present in each piece and something new seen for the fashion set in general.
-Lynn Furge


London Fashion Week Spring 2010: Duro Olowu

Posted by fashionentrepreneurreport On Tuesday, September 22, 2009 0 comments



Doro-Olowu-Spring-2010Every once in a while fashion sees a new shape that is actually innovative and saleable all at the same time.  Such is the tea dress fromDuro Olowu’s Spring 2010 collection. 
London Fashion Week looked pleased at their options in pattern and length.  The rest of the collection boasted a bevy of patterns that looked half-ethnic and half tea-towel.
-Lynn Furge

London Fashion Week Spring 2010: Komakino

Posted by fashionentrepreneurreport On Tuesday, September 22, 2009 0 comments

Komakino-Spring-2010Goth has always had a place in London fashion, and the duo of Federico Capalbo and Jin Kim who make up Komakino took the theme to the extreme in the closing show of Vauxhall Fashion Scout
Black Black Black! Skinny pants, zippers and latex were all present, but welcome surprises of dip-dyed shoulder detail and some blue interior finishes made this show stand out.
-Lynn Furge

London Fashion Week Spring 2010: Peter Pilotto

Posted by fashionentrepreneurreport On Tuesday, September 22, 2009 0 comments

Peter-Pilotto-Spring-2010A favorite London’s Center for Fashion Enterprise, Peter Pilotto turned out another collection of flattering yet demure short dresses with gorgeous coats, jackets, vests and knitwear for Spring 2010. 
Pilotto gets how real women want to dress and because of that, he can push trends like cool shiny prints and boxy jackets by also placing the details where they flatter the female silhouette.
-Lynn Furge

London Fashion Week Satyenkumar

Posted by fashionentrepreneurreport On Tuesday, September 22, 2009 0 comments

Satyenkumar-Spring-2010Nolcha loves innovative menswear and we got just that at Satyenkumar’s Spring 2010 show at Vauxhall Fashion Scout. 
Kaleidoscope printed windbreakers.  Tone–on-tone pant suits.  Textural differences with silk and satin, a great burst of energy in a usually bland category.
-Lynn Furge

London Fashion Week Spring 2010: Peter Jensen

Posted by fashionentrepreneurreport On Tuesday, September 22, 2009 0 comments

Peter-Jensen-Spring-2010Peter Jensen turned his Spring 2010 collection into an art instillation with the help of Laurie Simmons photographs. 
1950’s references of the Good Wife with bright happy suburbia colors, gingham and cardigan sets.  The Miss Mofit headwear was a little much, but all in all an interesting display with some interesting pieces.
-Lynn Furge

London Fashion Week Spring 2010: Basso and Brooke

Posted by fashionentrepreneurreport On Tuesday, September 22, 2009 0 comments

Basso-and-Brooke-Spring-2010Basso and Brooke the fathers of the digital screen print came on strong this season with neo-pop Jeff Koons and Herb Ritts. 
An odd combination but it did catch everyone's attention at London Fashion Week.  Bruno Basso worked the prints to the maximum and Christopher Brooke turned out the silhouette which was sleek and cool to set off the prints but then turned cartoonish with fluffy skirts at the very end.
-Lynn Furge


London Fashion Week Spring 2010: Paul Smith

Posted by fashionentrepreneurreport On Tuesday, September 22, 2009 0 comments



Paul-Smith-Spring-2010A vivid palette and a menswear theme sauced up the London Fashion Week Shows at Paul Smith
For his 2010 Spring Collection printed African fabrics swaddled models in mix and match florals and stripes.  All saleable and all unique. The ethnic neck pieces and bandeau tops finished off the theme which was decidedly not very English, yet cool at every turn.
-Lynn Furge


London Fashion Week Spring 2010: Jonathan Saunders

Posted by fashionentrepreneurreport On Tuesday, September 22, 2009 0 comments

Jonathan-Saunders-Spring-2010Sheer luminosity with soft pastel influences in blue, pink and lime added to the minimalistic quality of Jonathan Saunders’ Spring 2010runway show. 
The layering of graphics over simple cocktail dresses will most likely be the big ticket number in London retailers but the little monochromatic shifts at the beginning of the collection will do well also.
-Lynn Furge

London Fashion Week Spring 2010: Josh Goot

Posted by fashionentrepreneurreport On Tuesday, September 22, 2009 0 comments

Josh-Goot-Spring-2010Pop Art revisited with “optical illusions” as a focus Josh Goot introduced a collection that was bright and cheery yet sophisticated atLondon Fashion Week for Spring 2010. 
The seams were bonded which also put forth a scuba feel.  Plenty to look at even though the collection was short and sweet.
-Lynn Furge

New York Fashion Week Spring 2010: 3.1 Phillip Lim

Posted by fashionentrepreneurreport On Tuesday, September 22, 2009 0 comments

Several inspirations were cited, but the one that struck a chord the most was the least represented on the runway. 
With a kick start in the right direction 3.1 Philip Lim popped cherry red (as an homage to Guy Bourdin) onto the runway as his opener.  The tone on tone continued with reds greys and nudes, and then he waned a bit.  Sure it is excellent to turn out a commercially saleable collection, but the first five looks were not only commercial, but artistic and Lim should have stuck with that. 

Either way, there is no doubt that girls will be clamoring for his little dresses which had a sculptured ripple effect whether or not they pack as much punch as the brave red rain slicker, which paired with the nude toned dress, really does say “American traveler and Day to Evening” two things which Lim was also trying to convey with his show.
-Lynn Furge



London Fashion Week Spring 2010: Marios Schwab

Posted by fashionentrepreneurreport On Tuesday, September 22, 2009 0 comments



Marios-Schwab-Spring-2010Mixing and matching his way through translucent layers, Marios Schwab developed a haberdashery of lengths and textures with his Spring 2010 collection. 
Oddness aside, the mixture of masculine and feminine and the pleating with the single poufed skirt was really beautiful, but makes one ponder what he is going to do with Halston.
-Lynn Furge

London Fashion Week Spring 2010: Romeo Pires

Posted by fashionentrepreneurreport On Tuesday, September 22, 2009 0 comments



romeo-pires-spring-2010Former Nolcha Fashion Week NY Profile Designers Nicholas Humphrey and Sergio Pires of Romeo Pires took to Vauxhall Fashion Scout for their Spring 2010 collection. 
Known for their tech happy prints this season there were larger silhouettes (oversize shirt dresses, billowing jumpsuits) showed off the digital printing perfectly even if the x-ray effect was a little too costume-y for real life.
-Lynn Furge

London Fashion Week Spring 2010: William Tempest

Posted by fashionentrepreneurreport On Tuesday, September 22, 2009 0 comments

William-Tempest-Spring-2010Working some of the season’s hottest trends, peek-a-boo fleshy pieces at the shoulder, bondage pants, William Tempest unveiled his Spring 2010 collection at Vauxhall Fashion Scout
All in all the collection was full of tabloid worthy dresses fit for OK Magazine’s finest.
-Lynn Furge

London Fashion Week Spring 2010: Luella

Posted by fashionentrepreneurreport On Tuesday, September 22, 2009 0 comments

Luella-spring-2010It was 60’s pastels and polka dots for Luella at London Fashion Week.
Peter Pan collars and bows followed.  Luella’s girl has grown up a little bit, and gotten more sophisticated, not without a sense of fashion or humor though…  All in all the clothes were pretty, had reference of the well cut clothes found in Parisian closets decades ago and included a couple of minis and prints that keep loyal Luella customers happy.
-Lynn Furge


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