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Fashion Turns to IT as the Smart Way to Combat Hard Times

Posted by fashionentrepreneurreport On Thursday, July 30, 2009 0 comments



Retail I phoneWhile the world of fashion retailing is not alone in needing to adapt to a tough trading climate, it suffers more than most from external conditions. 
These include the demands of multiple season stockholding, complex supply chains, competition from cheaper markets, and fickle customers with less disposable income for discretionary purchases.  We’ve seen these elements influence the way in which fashion retailers behave towards their IT suppliers and use IT.
In the past, inhouse teams would be expected to evolve a 5-year or even 10-year IT plan, which brought together commercial vision and IT investment.  Today, it’s short-term tactics and results that count, as retailers focus on 6-24 month developments that can make tangible improvements.
When it comes to supplier relationships:
• Under-performing systems are no longer tolerated and retailers look to squeeze greater efficiencies from an existing core system

• Gone are the days when a systems change meant a long process, starting with an ITT.  Today, pressured retailers want rapid results: a better system or a better deal from their suppliers

• Suppliers are expected to come up with flexible working and licensing models

• Large-scale capital outlays have disappeared, as leasing, rental and SaaS options become the norm

• Timescales have been squeezed.  Lengthy implementations with long workshop programs don’t get signed off
• Packaged solutions have ousted bespoke developments.  The former approach puts the main elements in place, with minor customization cost-efficient solutions and can often be done by users
In terms of how IT is used today, the focus is on ’quick win’, justifiable changes that are easy to see, save money, and enhance processes, customer service and stock management.  Increasingly, retailers use software solutions as the agent for improvement.
The customer experience:
• While many brands boast about store ordering, their processes are often cumbersome. The best amongst them use their supply chain software to create a swift and slick process, whereby items can be sent for home delivery or store pickup

• Linkage and loyalty come from connecting with customers in new ways, such as via mobile phones, SMS texting and e-magazines. All can build brand loyalty and demonstrate customer care

• IT solutions are helping fashion retailers to learn a lesson from their supermarket peers and improve flexible pricing and promotion. 
Stock availability:
• Inter-branch transfers done manually are labour-intensive and prone to inaccuracy.  Today’s IT systems look for overstocked or wrongly-stocked stores and suggest moves.  This rebalancing of in-store stock means sales opportunities aren’t lost

• It’s especially important in fashion to phase stock deliveries. Having stock arriving ad hoc has cost and space implications and negatively affects cash flow. Better inwards tracking and control makes a real difference.  While this is often done manually on paper or spreadsheets, savvy businesses use their supply chain solution to give them control and a holistic view
• It’s important to impose consistent standards for the whole business to use.  Staff must be trained to understand and follow processes for replenishment.  Here, IT can provide the backbone and prompt staff to take necessary actions.
Efficiency and cost:
In boom times, it was easy to ignore ways in which economies and efficiencies could be achieved. Now, there’s no choice.  A number of practical remedies are being put in place thanks to technology.
• Automated carton merging identifies ‘fresh air’ in cartons, enabling warehoused items to be moved from one carton to another to fill up space.  This saves cost where carriers charge delivery per carton
• Tough trading conditions have called for better processes in franchise management.  In the past, critical data would be transmitted spreadsheet (products from the supplier, sales from the partners). Standardisation across multiple partners was rare and processes were inefficient.  Today’s software solutions eliminate manual processes and set standards that save labor and hassle
• Using IT to automatically generate purchase orders for continuity items which you and your customers assume will be always be available means you should never run out of stock.  Systemised processes look at sales trends and stocking levels then automatically generate orders for manual approval

• System-driven pre-allocation of stock to stores enables retailers to smooth out workloads and use staff more effectively and economically.    Before stock arrives, you tell the system how you’d like it to be allocated.  Not only is the workload better spread and stock better distributed but also those critical processes, which you struggled to put in place, don’t get jettisoned due to pressure of work.
Armed with software systems that are functionally-rich, resilient and adaptable to individual requirements, fashion retailers are fighting the battle and winning.
 - Nigel Illingworth, Retail Assist’s Product Director www.retail-assist.com - www.merret.com

Fashion's Global Mini Capitals

Posted by fashionentrepreneurreport On Wednesday, July 29, 2009 0 comments



Tramunda Fall 2009What makes a trend a staple?  What happens to the avant garde looks from the runways?  For instance, the flares from Prada Fall/Winter ’08 collection?
Do they take to the streets of our major global fashion capitals?  Do they trickle down to the lesser known mini-capitals, in places like Argentina, Sweden, or India?  Or do these cities like Buenos Aires, Stockholm, and Mumbai operate mostly on their own terms?  We set out to see whether these cities cling to that of our major fashion capitals, or arrive fashionably early to their own parties.
For this, we turned on our fashion super-sleuthing capabilities, and dove into our Travel Editor duties with zest.  To do so, we hit the ground running in some of the world’s mini-fashion scenes.  Beginning with Buenos Aires, or the “Paris” of South America.  Argentinean women are notoriously beautiful, and svelte.  Go figure, being the sister country to Brazilian-bred goddesses like Gisele, Adriana Lima- et cetera, et cetera.  But what do these sexy women to the south wear to keep cool (and subsequently, hot)?
Benito FernandezBuenos Aires celebrates fashion and the arts at the same time as the world’s heavy hitters, during the annual Buenos Aires Fashion Week (BAF) in the fall.  Benito Fernandez is a long-time local favorite, and BAF showstopper of late (think Cavalli and Missoni combined, with a California-casual twist).  One can not help but wonder the luck and love a Fernandez-wearing lady might incur in her whimsical, sexy frock while dancing the tango in this subtropical city.
Tramando (photo above), by Martin Churba- is another name to watch.  Noted as one of the country’s “most forward thinking and technically skilled designers,” by the JC Report, Tramando fuses detailed craftsmanship with a futuristic vision- and has been pushing the envelope for years.  His 2009 show at BAF reportedly stole the stage, with a Carnaval-style runway.    If Tramando were a band, it would be Animal Collective.  Experimental, risqué and sensuous- with a mysterious allure. 
Moving on to Stockholm, Sweden.  Our own personal motherland.  Origin of the lingonberry (try them on Swedish pancakes, stat), and the big box powerhouse wonderment know as Ikea.  Home to “Acne,” a longtime favorite Swedish clothing line.  With such an unfortunate name, it’s no wonder the designs are so compelling.  Think an uber-casual take on Beyonce’s infamous Thierry Mugler dress or the Alexander McQueen exaggerated hip look of Spring/Summer ’09.  Then, imagine it at a ready-to-wear level for a reasonable price.  Sold? Finding that you are actually craving some Acne?  Us too.  The brand excels in the way of loose fitting jumpsuits and pants and using strict cuts.  The minimalist palette makes for easy mixing and matching, with just the smallest hint of romance. 
tiger of swedenThis year’s Fashion Week by Berns, kept the focus local.  Berns strongly promotes global exposure for Scandinavian and Danish brands like Sofifi, House of Dagmar, Tiger of Sweden, and more.   Tiger of Sweden’s Autumn/Winter ’09 line pays fantastic homage to the Parisian nightlife.  The line highlight’s the French capital’s “love affair with Russian culture” while noting that the ever-chic Parisian pardigm is paradoxically shifting to everyday culture in Moscow.    Sound trippy?  It’s Marlene Dietrich (switch German heritage for Russian) meets Kate Moss meets an Olsen twin  Check out these laidback luxurious designs, and indulge in the eccentricity of these incredibly delightful looks.





Tarun TahilianiIndia is typically known for beautiful, colorful ethnic wear.  Their gorgeous textiles are distributed all over the world, and displayed prominently at Lakme Fashion Week in Mumbai.  Abdul Halder is the name behind many of the late “King of Pop” Michael Jackson’s Indian Maharaja getups.  Tarun Tahiliani is a much-celebrated designer, soon showing for the third time as the Lakme Grand Finale designer.  Tahiliani looks to encapsulate the sinuous modern Indian woman using a free flowing vibe.  His use of gorgeous draping fabrics celebrate the female form, while giving off a slight Grecian vibe (we can so picture Angelina Jolie in Tahiliani).   
These smaller dots on the fashion map all pay respect to the fashion Motherships.  Hints of quirky Parisian intellect, London punky-rocker metallics, and black as reigning champ that New York is solely responsible for- are seen woven into the inspiration across the world.  Mix it up with interesting amounts of local flavor, and you have beautiful international recipes for fashionistas in every city across the globe. 
Abby Yemm is a freelance writer and the Managing Editor of www.ChicagoPicks.com

Interview | The Blonds

Posted by fashionentrepreneurreport On Sunday, July 26, 2009 0 comments

Phillipe and David Blond’s corsets have touched Entertainment’s Elite. 
Custom creating pieces for the likes of Rihanna, Britney Spears, Fergie, Debbie Harry and many more, the duo met each other 10 years ago and started a relationship both personally and professionally.  Hitting the club scene and making their own clothing Phillipe stepped out in some jeans with crystals and shells all over them.  Patricia Field saw him and asked them to do some pieces for her store.  She then sent the pair to MAO PR who then helped strategize the direction of the collection, produced the theatric fashion shows and the rest is history.  Robert Brady, caught up with The Blonds in NYC as they prepare for Spring 2010.
Robert Brady:   What/who is/are your inspirations?
Phillipe and David Blond:  We are inspired by all the glamorous Blondes throughout history...Marilyn, Jayne Mansfield, Mae West, Donna Jordan, Anna Nicole Smith, Betty Grable, Madonna, etc...we are also inspired by classic Vegas showgirls, and downtown NYC personalities such as John Sex, Joey Arias, Debbie Harry, Andy Warhol and of course Gem and the Holograms.
RB:  Where do you see your business going?
TB:  We are mostly making custom pieces for every celebrity now, Madonna, Britney Spears, Rihanna, Katy Perry, Lil Kim, Beyonce etc...and we want to continue working with all of these great artists and more.
RB:  Why corsets?  What do you love about that style, shape, piece of clothing?
TB:  We love corsets because they make any shape woman look sexy...we love the hour glass shape on a woman.
RB:  Do you ever get any style say when the celebrity chooses to wear your pieces, like “pair it with _____” or “if you are using it for a cover we envision hair and make up to look ______”
TB:  Sometimes if we are making the piece specifically for the celebrity...but for shoot unless we are requested on set...the stylist is in control of what the celebrity wears.
RB:  Do you ever see yourselves branching out and marketing to a retail clientele, such as Barneys New York, etc.?
TB:  We will one day work with retail stores...we already sell some pieces to Patricia Field's boutique and hope to branch out as our brand name grows.
RB:  Give us your perspective on Mr. Pearl and why corsets will never go out of style.
TB:  Mr Pearl is an artist and a genious, he lives the lifestyle and does corset training on himself to have an 18 inch waist, we look up to him and hope that our corsets will equal his in creativity.
RB:   I attended your Fall 2008 show... Congrats again! How amazing!!!!!! Will we see a darker version this fall as well or will you be lighting things up?
TB:  We never really have a super dark side...whatever we do it will always be Magical!

blondes.jpg

The Business of Style: The Coffee Clutch

Posted by fashionentrepreneurreport On Friday, July 24, 2009 0 comments



The fine line between “fashion people” and real people, gets blurred day by day as the masses strive to look like their idols, be it Kate Moss or Kate Gosselin (the cockatoo hair is making a resurgence, I’ve seen it). 
As a “fashion professional” I love to see people appreciate beautiful clothes, putting on their favorite outfit and strutting down the street.  I also am more than happy to lend a helping hand when asked for fashion tips.  But it is also my job to get re-inspired and discover new things to satiate the ever demanding public.
So I went back to the Metropolitan Museum of Art to take one last look at the Model as Muse exhibit before it became extinct.  Iconic images and the reasons behind them both teach me about marketing, branding, storytelling, the human ideal and so much more.
But alas I was not the only one learning on that fateful afternoon.
Four women entered the exhibit two feet behind me.  Upon crossing the threshold of Dovima with Elephants by Avedon they, all as if on Rockett cue, snap a photograph.
“No photos please” warns the guard.
“Ech,” says the short one in the glasses “It’s the last day, why do they care if we take pictures”
I turn around and glare.
Room number two.  Images of Suzy Parker, original Madame Gres gowns… and chatter.
The woman (same one, short in glasses… must be their leader) starts to read the plaque.
“It the post WWII  Fashion’s New Look” she slowly spoke, out loud.  I looked for a docent badge, sight imparement, anything to warrant the verbal narrative.  And then there was the discussion.
“Now who thinks that the fashion in the fifties has changed in terms of shape a lot to what we have in the stores now…?” she continued.
And suddenly I got it.  They were on a field trip.  These women were having their weekly coffee clutch – at the Met!
Room after room, conversation after conversation, they would walk ahead, I would lag behind trying to loose them, trying to concentrate.  I would jump ahead, missing an entire installation, just to get some peace, and yet the voices went on
“I mean, I go to one shop, because she knows what I want and doesn’t try to sell me the latest trend” one of the ladies said.
“I hate people having the same thing that I do,” another complained.
“I feel the new designers don’t utilize their skills these days.  They don’t actually construct beautiful clothes, just look at these Dior pieces. They have style, they have panache” the leader schooled.
Said pieces were current Dior, done by Galliano, placed in the exhibit to emphasize shape and construction.  Galliano, while no spring chicken, in the eyes of these ladies, was definitely new… so against my better judgment, I had to jump in.
“That’s actually Galliano for Dior.” I murmur just loud enough for the entire coffee clutch to hear.
“Nope, dear, that is Dior, it says so right there.”
“Right, but that is not vintage Dior done by Christian Dior, those dresses are Dior by John Galliano Fall Winter 2005-6, it says so right there on the side there…” I return.
“But the dresses, my dear are Dior,” volley…
“Done by John Galliano this century in homage to classic Dior designs” return…
And the leader turns to her clan and states
“See this is why we must teach the youth, they don’t understand what real fashion even is anymore.”
Room after room, comment after comment I learned that the 1970’s were the most “forgiving for a wider hip, but FORGET about a bosom”.  The 80’s “were pointless”, it was “such a shame that George Michael ended up gay” “grunge is just another word for dirty” and “Kate Moss looks like a female version of Oliver Twist”
Fashion is what you make of it.  It touches everyone’s lives and all have an opinion (positive or negative) about it.  And what you learn from “fashion’s biggest critics” is that women remember beautiful clothes.  Construction or de-construction, glam or grunge it reminds you that clothing is meant to be special… not just something to throw on your back so you don’t get arrested for indecent exposure.
So kudos to you John Galliano, for pulling the wool over their eyes and displaying “construction” “style” and “panache” of “real” clothing worthy of the label Dior, and to the rest of you designers who one day hope to have your garments hanging between the famous Metropolitan walls remember history is defined in vision, shape and image, and whether you love it or hate it… you will never forget it.
-Lynn Furge

Running in Converse: The Drawstring

Posted by fashionentrepreneurreport On Thursday, July 23, 2009 0 comments



Jumpers, pants, dresses, handbags, both high and low end, all at some point in their design history have all been created with drawstrings. 
What I want to know is why? Why a drawstring?  They do not really cinch at the waist like a belt, but rather loosely gather fabric.  I have yet to see any drawstring on a garment that was physically appealing.  It does nothing for any body type or shape.  They are distracting as they limply hang from the garment.  No matter what they price point of the garment they appear on, from Givency to H&M, they cheapen the item and make it drastically appear more casual.  I have seen drawstrings on $1200 dresses!  No garment ever wants to look cheaper, so they question remains, why add one? If it does not serve a purpose aesthetically or structurally, it is time to nix the whole drawstring idea. 
When they are positioned on the hip of a garment or the natural waist, they do not necessarily fall here as people’s body types are of those of different proportions.  What could hit someone very appealingly at the waist could fall on another person awkwardly at the stomach.  The way they gather the fabric is enough to send a garment off the fashion radar.  Unless one is paying constant attention to the scrunch of the fabric, it is going to shift here, there and everywhere, ridding up and ridding down.  When they are positioned around any neckline of a top, they look ugly if tried to be tied and yet again, dangling down it just looks plain sloppy.

My disdain for drawstrings has grown over the years.  The items that I do have in my wardrobe with drawstrings, I have either pulled them out or cut them off.  As with anything, there are a few exceptions.  My athletic wear, track pants and running shorts have drawstrings that I have managed to leave alone.  I try to discreetly tuck them in as I hate the way they look hanging down. Yet when they are tucked in, they are still annoying as I can feel them inside my pants.  Either way, I cannot win. 

Bottom line to all designers out there, do not add a drawstring to any garment.  Go for a better fit, and when in doubt, add belt loops!  Belt loops not going to work? Then it is time to go back to the drawing board and possibly add darts to alleviate the fit issue.   Can we just all put a ban on drawstrings? They are an unflattering detail that needs to go the way of stirrup pant.  They compliment no one.  The only drawstring I want to see is on pajama pants, which as we are all well aware, should not be worn outside the house.

-Oriana DiNella

Marsha Goes to Hollywood: Solar X

Posted by fashionentrepreneurreport On Thursday, July 23, 2009 0 comments

It's a bird, it's a plane-- no it's Solar X.
As I gear up for another exciting Fall season full of fashion, next week AKIRA hosts it's ultra-modern, 1st Annual Men's Fashion Show to kick-start our line-up of Fall fashion previews all over town. Rivaling Nordstrom's as the only other, sole producer of a contemporary men's show- I have faith that AKIRA's fashion show will skyrocket menswear in the Midwest to the 22nd century. With vendors like G-Star Raw, Diesel, Paige Premium Denim and Bjorn Borg participating as sponsors in this modern marvel, the show's looks are sure to be futuristic and certainly sexy on FORD models!
Inspired by travels to a country where men still remain masculine with a fashionable edge, the "fashion bibles" have me praying to their Gods to bring interpretations of these fabulous fall items to life on the runway in the Midwest. Check out some of the looks from G-Star that I will be featuring as well as some of the inspiration photos below. Fendi's skeleton glove is to die for- literally. Keep you posted on some of the post-show coverage.
XOXO,
Marsha

Interview | Luli Fama

Posted by fashionentrepreneurreport On Wednesday, July 22, 2009 0 comments

Luli Fama the Miami-based swimwear company is always in a realm of “firsts” first to re-introduce the cut-out one piece to fashion’s elite. 
First to do the ruched back.  And their successful design has gotten them a lot of notice from being named People Magazines “no muffin top bottoms” with their ruched back and features in Sports Illustrated to Bar Rafaeli specifically asking for their suits by name.  “Fama” meaning “fame” in Spanish is the perfect name for this collection whose motto is “Every woman is a star.” Nolcha's Lynn Furge popped into their packed tradeshow booth to see why buyers and consumers alike, flock to see what Luli Hanimian and business partner Augusto Hanimian come up with next.
Lynn Furge:  Being a Miami-based designer what do you feel you bring in terms of originality to the swimwear market?
Augusto Hanimian: First of all it is our coloration.  We chose different colors and patterns that what any other manufacturers are doing.  We are risk takers in terms of cut as well.  The ruched bottoms have become a trademark.  There is no elastic in the legs therefore it doesn’t grip the body inappropriately and fits the butt better.  We have now come up with variations of that style that fit all different types of bodies, some that have a fuller back, some that have a smaller side etc.  We love to fuse sophistication and sensuality together.
LF:  The cut-out one piece suit seems to be a huge trend this season and you have been doing that style for years now and a larger demographic is buying into that trend because of the way your suits fit..  How do you know just where to cut out to make it fit a woman’s body perfectly?
Luli Hanimian:  We try to look at a woman in a very sensual way.  We have a picture in our minds about how we want the suit to look and draw up some samples.  Then we make adjustments when we see it on real bodies. 
One of the secrets is to make swimwear with adjustable straps, that way the suit can fit more bodies.
We are seeing a change culturally in the UA and women who were not so concerned about their butt are now doing exercises and showing off that area more, so we focus a lot on that part of the suit first and then shape the rest around it. This is one of the things that makes our line successful, taking the risk and listing to the changing lifestyles of our clients.
LF:  You incorporate a lot of color into your collection.  How do you choose the color palette that fits so many different skin tones?
LH:  We look a lot at what trends are on the high couture collections and then adapt them to what will work poolside.  We never have a strict color palette. We just use what feels right. 
The perfect example of this is last year; “taupe” was one of the biggest color trends in swim.  It doesn’t look great on every skin tone, so we added pops of read, yellow and green in piping around the suit and that way the trend was still there and the buyers loved it, but the consumers also loved it because it looked great on them.
LF:  Who do you see as your muse?
LH:  Someone very sensual who wants to show off.  People that are comfortable with their bodies who don’t want to hide under a beach umbrella.  We want to maintain having our consumer in love with us and us in love with them, so we are consistent with the options we give them.  That is how we maintain a great customer base.
LF:  Has the economy affected the swim category that heavily or are people still looking for escapism and therefore buying suits even if they have to travel closer to home?
AH:  For us we profits have almost doubled in the past year, which have been the worst economic times our country has seen since the depression.  Our customer is very daring and so they do not have as much fear about the economy.  The swim market in general… yes it is tough out there, but for us at Luli Fama, we did better than ever before.
Everyone took a very conservative approach, We did the exact opposite unveiling new styles patterns, a larger collection all of those business decisions that could have hurt us, but we took the risk and it paid off.

Running in Converse: Packing

Posted by fashionentrepreneurreport On Wednesday, July 22, 2009 0 comments

I am getting ready to pack up my apartment.  I have been going through my closets, dressers and anywhere else I have managed to store clothes to see what, if anything, I can get rid of. 
For me, it is so hard to edit my wardrobe.  When I come across a piece of clothing I have not worn for sometime, I hold it up and envision the endless possibilities of how it could be styled.  Maybe I will come across the day that calls for a cropped midriff barring stripped long sleeve sweater. (The midriff is making a comeback mind you.) Then reality will set in as I try to the article of clothing on.  One cannot keep items out of guilt merely purchased on a whim.  Even an item’s bargain price does not justify it taking up space in my closet.  $20 Marc Jacobs pants at Century 21, apparently it was $20 too much.  The next step for the dregs of clothing will the donation bin. 
How much of our wardrobe do we actually wear? Looking online, I came to see that even with clothing, we follow the 80/20 rule. In essence, we wear 20% of our wardrobe 80% of the time.  This leaves a substantial amount of our clothes that are worn only on the slim occasion.  Not to say this deems these fabulous items unnecessary, they just get very little rotation.  I would account for this by our favorite and staple items that we wear again and again because they anchor our wardrobe.  Some of the  items that are worn less, are the high end extraordinary purchases, for some even couture items, that could not possibly be worn around the clock as they are only acceptable for those special occasions. 
I continued to sort my items.  The donation pile did not become as big as I would have hopped for.  For the most part what ended up in it were items that didn’t fit, or was no longer my style.  What mood was I in when I bought a crotchet magenta one-shoulder sweater? Or when I bought baby blue hot pants that could have fit a 16 year old? Going through ones clothes is a trip down memory lane.  I am able to recall where every item was purchased, the price, if it was a gift, who it was given to me by and usually the occasions I wore it at. 
Since the recession, I have come across numerous articles about “Shopping in your Closet” as many are currently strapped for cash.  I always thought this sounded like such a depressing way to “purchase” new items.  Well I now must give credit to those who have written these articles; for I found a ton of items I did not remember having due to the overcrowding and random places I was storing my clothes. What an inexpensive way to shop!
Essentially, how much do we need in our closets? Asking this to any fashionista and there will be no cap on the amount of items.  Closet space be damned, we will find a place to put those clothes, even if it means storing some at friends or paying for a storage facility.  One can never have too many clothes. So I’m off to the consignment store, where I am sure to see someone else on the street in the upcoming weeks in my old clothing.  There may even be a twinge of angst for wanting my items back if I see that they styled in a new cool way.  Maybe we can make a swap.  Out with the old and in with the new.  Fall is right around the corner and I am definitely going to need some clothing to supplement the season.

-Oriana DiNella

Business of Style: The Modern Day Geisha

Posted by fashionentrepreneurreport On Wednesday, July 22, 2009 0 comments



Have you ever known a woman, who when she starts dating someone if he/she likes the Yankees, your friend is forever seen the jersey and hat?
Or what about your favorite Punk Rock chick from college, all Doc Martins and Manic Panic, living her entire twenties in the Lower East Side listing to bands and blogging about them for Spin Magazine.  Suddenly one day she meets a banker from Connecticut and you meet her for lunch, skimming the crowd for the trademark purple hair, and what do you see, but Lily Pulitzer and a touch of Tods.
We call this the Modern Geisha.
Women have been quick and willing to adapt to their “surroundings” for centuries, King’s Subjects became Pilgrims, Hippies donned gold-lame in the name of Disco.  I get it… times change, but when does the fine line between change and shape shifting get crossed?
I have a friend who the minute she meets a man, runs to the bathroom of the restaurant and gets on her Iphone.
“He said he flies private planes and likes submarine sandwiches.” And she Googles both, returning to the table, she is able and willing to wax poetic on pilot’s licenses and pastrami.
With the internet and print media turning towards celebrity; who’s wearing what; who’s dating who? Originality has gone out the window and mimics, copy cats and even lemmings have been born.
The Modern Geisha is taught if she looks like Angelina, she will snag a Brad.  If she broods like Kristin Stewart, she will score a Rob Pattinson. Because of that simple girl alone, Converse Chuck Taylor sales have gone through the roof!
But I ask you… what happened to the day when Katherine Hepburn put on a pair of trousers because she liked the way it made her feel.  No worries about emasculating Spencer Tracy.  Madonna wore underwear as outerwear and created a dynasty.
Women should dress in what makes them feel good, and strong, and proud and happy.  It is the confidence that attracts a mate, not the Megan Fox dress from the Golden Globes
America needs to see a little originality.  They need to take back their style.
-Lynn Furge

Running in Converse: Mens Fashion

Posted by fashionentrepreneurreport On Tuesday, July 21, 2009 0 comments

I was at the Collective Spring/Summer 2010 Tradeshow this week in Manhattan.  While attending, I noticed there was very little variation in terms of menswear items showcased. 
There were countless cuff links, suiting and many leather shoes.  How is a brand going to differentiate their menswear products from everyone else on the tradeshow floor? Simply changing the color on the pocket of a collared shirt or throwing on a bowtie with a suit is not enough.  Then I came across the brand Zachary Prell Inc. and found the reason why these men’s shirts were able to stand out.
The Zachary Prell Inc booth was not set up differently than the ones surrounding it, there was no “in your face” signage or anything else flashy on display.  What set him apart from the others at the tradeshow was the approach to his product.  He had designed a menswear shirt with the versatility in the fit and design that allows it to go from the office to out after work.  The shirt is long enough to be tucked in with a suit but also short enough where it does not look sloppy if it is left to hang out of jeans. The cuffs are wider to accommodate men’s watches.  The collar stands relaxed and can be both buttoned and unbuttoned. The shirts offer a slim athletic fit, clean aesthetic, and create the perfect balance between professional and casual. 
Since 2005, Zachary Prell has been designing his line of dress shirts.  The idea for the company was born out of pure frustration as his endless search for a shirt that not only complimented his slim build but also had style and versatility.  He recognized the opportunity to redefine the category of men’s dress shirts with better fit and smart detailing.  His lengthy business background entails a career as a Wall Street Investment banker, private equity professional as well as receiving his MBA from Columbia Business School. 
As the market continually becomes saturated with more of the same product, it is the brands who do their market research (as per Mr. Prell) that are going to end up in ahead of the pack.  One must determine if and where there is a gap in the market for their product, and those who do have struck gold.  In a time where excess has lost its luster, it is the products that have versatility that will turn a profit.  There are many items out there that look nice, but at the end of the day if they do not serve a purpose, they are going to fall by the wayside. 
Founder and CEO Zachary Prell’s business approach to the men’s dress shirt is what sets him apart from the vast array of others in his league and is yet another example of a business savy fashion company.  Striking a balance between the business and design side is a sure fire recipee for success.  
-Oriana DiNella

Mens Spring 2010 NYC Market Week: Capsule

Posted by fashionentrepreneurreport On Tuesday, July 21, 2009 0 comments



Capsule took place on July 20th and 21st at the Angel Orensanz Center in New York City.  Capsule is an invitation only trade event that showcases over 100 high end contemporary brands from around the world.  Consisting mainly of menswear, some of the designers also brought part of their womenswear lines as well.
The setting was edgy and complimented the collections as the multi level church housed designers throughout and in balconies overlooking the main floor.  The brand Camper had partnered with designers such as Bernhard Willhelm, Jaime Hayon, Hella Jonenus and Veronique Branquinho to produce a fashion forward collection of footwear; that I am sure retailers will be snapping up.
Cole, Rood & Haan Co. (image) had the most amazing handmade shoes crafted of leather and military tent canvas.  Hixsept showcased color blocked scarves that will accent a button up or t-shirt great.  Timo Weiland took the bow tie to the next level by creating an exaggerated version that appeared to be more of a fusion between a necklace, bow and scarf.  The well-edited collections of apparel, footwear and jewelry made this tradeshow one of the best I have been to.

-Oriana DiNella

Marsha Goes to Hollywood: Italian Edition Part 2

Posted by fashionentrepreneurreport On Monday, July 20, 2009 0 comments



Maggie Morgan in ItalyFrom the shores of Via Reggio, Italy's prime beach town territory, with fabulous hotel beachfront cabanas- you are sure to find many 'a Marsha.
Marsha's in leopard bikinis, giant sunnies, ostentatious gold sandals and even some male Marsha's running around in Speedos. Italy's beach crowd, although very mixed in their beach style, still strongly surpass the American beach culture. Everything in Italy is just a little more formal when it comes to presentation. Minus the haggling beach- salesman from all around the world offering you necklaces, fake designer sunglasses and foot massages- life would have been nothing short of perfection. Nothing is sacred, not even Italy.

With trips to beautiful towns like Portofino, Venice, Florence, Lucca and other smaller Italian- medieval cities like Cittadella and Asolo- the diversity in fashions across these regions is tremendous. The looks from local designers and other large designer labels seems more subdued from years past. Neutral colors and more formal silhouettes are hitting the racks of some of the more high-end chic stores like, Luisa in Florence and bright, colorful trends in accessories from Hermes in Portofino. Footwear is key in Italy, with metallics still in full force for men as well as androgynous white tuxedo shoes from Sisley 
www.sisley.com for women.
 XOXO from Italy,

Marsha


Miami Swim Show 2010: Luli Fama

Posted by fashionentrepreneurreport On Monday, July 20, 2009 0 comments



Luli Fama Miami Swim ShowInspired by the City of Miami, the energy of the city and the people that love that lifestyle, Luli Fama launched their Summer 2010 collection at Mercedes Benz Fashion Week. 
With a color palette of oranges like sunset colors and blues that echo the colors of the ocean and sky with a little bit of Art Deco lavender thrown into the mix models strutted down the runway in Luli Fama’s famed cut-out one pieces and ruched back bikinis solidifying their place in the marketplace as an innovative label that gives the customer what they want.
-Lynn Furge


Mens Spring 2010 NYC Market Week: Designer Forum

Posted by fashionentrepreneurreport On Monday, July 20, 2009 0 comments

The Warwick Hotel in Manhattan was home to the Designer Forum New York on July 18th through the 21st.
Over 70 menswear lines focusing on suiting and collared shirts, occupied various rooms throughout the hotel.  This tradeshow was appointment driven, however many vendors were more than welcome to speaking with drop in press and buyers.
Sutor Mantellassi (image) had the most exquisite leather bags and luggage in rich cobalt blue and camel, as well as an amazing selection of leather shoes. Smathers & Branson showcased handmade needlepoint belts and accessories.  The “soft coats” by Crittenden were elegantly made and were surrounded with buyers.  The Custom Tailors and Designers Association held a measuring class, sales seminar and fitting and alterations session to coincide with the tradeshow.   

-Oriana DiNella
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